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 Forum index » How-tos » Ambiophonic Sound Reproduction
Test files for ambio processor development
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mosc
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PostPosted: Sun Jul 27, 2008 11:39 am    Post subject: Test files for ambio processor development Reply with quote  Mark this post and the followings unread

Here are a couple of test files developed by Robin Miller to aid in the development of ambiophonic processors.

One is a recording of Robin speaking and panned left, right, and center. This is a good test of the processors with and coloration.

The other file is a dirac pulse at 44100 Hz. Play this though your processor and record the output. Robin has agreed to analyze these output files on his system.

The ultimate verification is, of course, the sonic results.


dirac-pulse.wav
 Description:
dirac pulse

copyright 2008 by Robin Miller

Download
 Filename:  dirac-pulse.wav
 Filesize:  1.18 MB
 Downloaded:  256 Time(s)


speech-left-right-center.wav
 Description:
Left - Center - Right speech

copyright 2008 by Robin Miller

Download
 Filename:  speech-left-right-center.wav
 Filesize:  5.37 MB
 Downloaded:  269 Time(s)


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DrJustice



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PostPosted: Sun Jul 27, 2008 5:55 pm    Post subject: Reply with quote  Mark this post and the followings unread

I guess the Dirac test/verify is for the RACE version, and not yours?

DJ
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mosc
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PostPosted: Sun Jul 27, 2008 10:24 pm    Post subject: Reply with quote  Mark this post and the followings unread

DrJustice wrote:
I guess the Dirac test/verify is for the RACE version, and not yours?


Well, it is for virtually anything. Record the impulse response and you have a way of analyzing the processor.

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DrJustice



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PostPosted: Mon Jul 28, 2008 2:20 am    Post subject: Reply with quote  Mark this post and the followings unread

You mean Robin Miller will analyze a Dirac processed by your version of the ambiophonic processor? (it wil have a totally different impulse response than the RACE one)

Edit: if not perhaps you can generate a test file, using your VST, from that Dirac pulse?

DJ
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mosc
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PostPosted: Mon Jul 28, 2008 12:19 pm    Post subject: Reply with quote  Mark this post and the followings unread

There are differences between mine and the RACE processor, of course. He'll look a the response for things that look flakey. It's just a sanity check.

I'll record my VST's response and post it, for reference though.

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durwood



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PostPosted: Tue Mar 09, 2010 8:35 am    Post subject: Reply with quote  Mark this post and the followings unread

Of all the different ambio plugins I have tested they all seem to have a slight issue, unless it is intentional.

Using the l-r-c track, when I hear the L or R vocal, the "s" from stage originates from the center. It is a bit distracting and not sure if it is intended but it smears the location. Like I said they all seem to do it, past and present ones.

To verify I wasn't crazy, I monitored it with a stereo goniometer both before and after the plugin and it is visible in the meter too, only on the output side. Singal going in is intact. Can this be corrected?

I also noticed the center location is very precise, but the L an R are not as precise. Again input side is good, output is where I notice it. Is this an artifact or intentional to give it more ambiance? No adjustment I could do seemed to correct it.
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mosc
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PostPosted: Tue Mar 09, 2010 2:34 pm    Post subject: Reply with quote  Mark this post and the followings unread

durwood wrote:
Of all the different ambio plugins I have tested they all seem to have a slight issue, unless it is intentional.

Using the l-r-c track, when I hear the L or R vocal, the "s" from stage originates from the center. It is a bit distracting and not sure if it is intended but it smears the location. Like I said they all seem to do it, past and present ones.

To verify I wasn't crazy, I monitored it with a stereo goniometer both before and after the plugin and it is visible in the meter too, only on the output side. Singal going in is intact. Can this be corrected?

I also noticed the center location is very precise, but the L an R are not as precise. Again input side is good, output is where I notice it. Is this an artifact or intentional to give it more ambiance? No adjustment I could do seemed to correct it.


You aren't crazy, at least with respect to your observations about ambiophonic reproduction. If the source material is only on the left or right, you will always have another signal on the opposite channel after processing through an ambiophonic processor. This opposite signal is, to zeroth order, delayed and inverted. The psychoacoustic effect is to move the sound far left or right, beyond the width of the speakers.

Your comment about the "s" sounds being centered is an interesting comment. I've noticed some similar effects from time to time. I believe there are some problem with whitish noise signals. Conversely, when you use wide spaced speakers, such whitish noise signals intended to be in the center seem to come directly from the speakers as opposed to sounding like they are from the center.

It seems that conventional stereo creates distortion with the "center" signals. Ambiophonic provides a much more accurate center at the expense of some distortion on the sides. However, ironically the sides in the ambiophonic case are wider and freed from the speakers.

To me, ambiophonic reproduction is much more enjoyable than conventional stereo.

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durwood



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PostPosted: Tue Mar 09, 2010 9:05 pm    Post subject: Reply with quote  Mark this post and the followings unread

Yep I understand both speakers work in conjunction with each other to move the location around just as with ambisonics.

I need to try to capture screen shots on the goniometer though maybe to explain the centered 's' on non-centered signal. I don't think that should happen and if we could improve that I would feel much better about it. I hope it is not a necessary evil, it's a wee bit distracting and maybe not totally noticeable or masked with complex music but now that I know it is there I can't miss it. Sad
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PostPosted: Wed Mar 10, 2010 8:33 pm    Post subject: Reply with quote  Mark this post and the followings unread

I was able to capture what I was talking about. Two things.

1) The centering of the beginning and ending of the word "stage" only on the output side when supposed to be L or R

2) The diffuse/loose L and R rather than a strongly defined L or R. Maybe this is needed for ambiance? I wonder if it could be too coloring for some folks?

The good is you can see the output is wider than the stereo signal and since the speakers are more centralized and away from walls it sounds wider than the stereo signal even though stereo speaker placement is already set further apart.

Left
Posted Image, might have been reduced in size. Click Image to view fullscreen.

Center
Posted Image, might have been reduced in size. Click Image to view fullscreen.

Right (with "stage" word)
Posted Image, might have been reduced in size. Click Image to view fullscreen.

Right before "stage" is said
Posted Image, might have been reduced in size. Click Image to view fullscreen.
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mosc
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PostPosted: Yesterday, at 11:36 am    Post subject: Reply with quote  Mark this post and the followings unread

What you are seeing is the effect of whitish noise in the word "stage". Imagine, for discussion, that you play white noise in the L channel and the same signal delayed by some small amount in the R. Your stereo vector scope should show a perfect X pattern, but it will probably not. Instead you might see a fuzzy X with a cluster in the center.

A vertical line on the vector scope indicates the same signal in the L and R channels (mono or uncorrelated). It might be expected that as the signals are noise, they will randomly be exactly the same, or close to the same. This distribution will explain the "globular cluster" in the center and the fuzziness of the images.

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PostPosted: Yesterday, at 11:41 am    Post subject: Reply with quote  Mark this post and the followings unread

durwood wrote:
I

2) The diffuse/loose L and R rather than a strongly defined L or R. Maybe this is needed for ambiance? I wonder if it could be too coloring for some folks?



This is essential for the ambiophonic imaging to work. As for coloring - careful testing will show that conventional stereo provides detrimental coloring too. In the conventional stereo, it is the center stage that is colored because of the destructive comb filtering caused by the cross talk delay between the two speakers. In ambiophonic, the center is much improved, as stated before, and the sides may be colored, but enhanced as well.

These colorations can't really be measured on the audio signals; you must use a microphone in an anechoic chamber to do so properly.

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