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 Forum index » Instruments and Equipment » Modular Synthesis
Chaos Patches
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bryan



Joined: May 28, 2008
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PostPosted: Wed May 28, 2008 9:04 am    Post subject: Chaos Patches
Subject description: listening to the sounds of Chaos Theory
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Hi all. 'Tis a nice forum with substance so I figured it would be a good place to glean some ideas on this. There's not too much out there on chaos synth patches so maybe we could compile some stuff here..

To start.. 2 basic chaos patches that yield good results:

VCO square/pulse wave out into VCF. VCF low pass out back into CV or FM in of the same VCO. Change input levels, and resonance and cutoff of VCF to get a range of chirping at low VCO frequencies to abrasive noise at high VCO frequencies

3 (or more) VCO's cross modulating each other via waveform output into CV/FM in of the next VCO, linked in a chain so that any one VCO's settings can have an effect on all the others.

Slew limiting might be nice to slow things down for a sort of chaotic LFO.

What else?
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EdisonRex
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PostPosted: Wed May 28, 2008 2:04 pm    Post subject: Reply with quote  Mark this post and the followings unread

Hi, and welcome to electro-music.

I don't think what you are doing is chaotic, at least not in my understanding of how real chaos works.

Noise (analogue) tends to be more chaotic than periodic sources, even periodic sources which modulate.

Digital noise tends to be periodic after a fashion. I don't think it works as a source here.

noise, into a filter, sent to a lag, would be a fair source.

To be fair and respectful, what you describe does yield less predictable results, but I'm being a bit pedantic in saying it's not exactly chaotic.

What your describe are complex systems, though, and I think they are useful, fun, and possibly musical.

If I wasn't so tired I'd try to explain their periodicity, maybe tomorrow if someone else doesn't do it instead.

Welcome to the forums, though, I hope you enjoy it here. Interesting point you are making. I do get that, but I do think it is not chaotic in the literal sense.

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blue hell
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PostPosted: Wed May 28, 2008 3:26 pm    Post subject: Re: Chaos Patches
Subject description: listening to the sounds of Chaos Theory
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bryan wrote:
VCO square/pulse wave out into VCF. VCF low pass out back into CV or FM in of the same VCO.


That one does nice stuf even on the digital Clavia G2, although I do have to inject a tiny bit of a helper signal (like an LFO or noise).

Rings of oscillators do nice stuff on that synth too BTW, but I had used those before Wink

I think BTW that systems like these do behave like attractors, and as such usually are described as "chaotic" by the "chaos theory". Anyway, whatever the name this is is fun to experiment with.

An analog synth seems more fun than a digital one for this ... most of my digital experiments end up to be pretty predictive.

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bryan



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PostPosted: Wed May 28, 2008 7:33 pm    Post subject: Re: Chaos Patches
Subject description: listening to the sounds of Chaos Theory
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Hi EdisonRex, thanks for the welcome...

EdisonRex wrote:
To be fair and respectful, what you describe does yield less predictable results, but I'm being a bit pedantic in saying it's not exactly chaotic.


I get what you're saying, but I'm going for chaotic systems and not just a random "chaos-sounding" sound (though you definitely can achieve that with the patch examples I gave).

Chaos patches (vs. random or noise) meaning they behave in a very non-linear way. Simple in setup, but complex in how they respond to changes. At certain settings for all the world they appear periodic, but given a little nudge in the right spot and they can go berzerk.

Thanks for letting me clear things up a bit (I hope). Some modules are almost like self-contained chaos (and I don't mean just noise or random). It can be more fun and interesting to patch simple and predictable modules (VCOs, VCFs) together in ways that give results equaling more than the sum of their parts.

Blue Hell wrote:
I think BTW that systems like these do behave like attractors, and as such usually are described as "chaotic" by the "chaos theory". Anyway, whatever the name this is is fun to experiment with.


Yeah that's it, I've been inspired by reading up on Chaos Theory to experiment with weird patches and I like how a single patch can yield a maximum of different sounds.

Blue Hell wrote:
An analog synth seems more fun than a digital one for this ... most of my digital experiments end up to be pretty predictive.


It's interesting how analog computers are still used to model non-linear "real world" systems, and that some synth modules seem inspired by those old analog computers. It's their inherent unpredictability (vs. digital) that makes them special (translation: "fat" sound, hehe). Speaking of analog computers... anyone know how to model an Integrator via a synth patch?
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andrewF



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PostPosted: Thu May 29, 2008 5:02 am    Post subject: Reply with quote  Mark this post and the followings unread

Hi Bryan
if you haven't read Dan Slater's article, you will enjoy it -
http://web.archive.org/web/20011112115517/www.nearfield.com/~dan/music/chaos/Chaosrel.htm

Also a google for Sprott and chaos will be fruitful. I have spent the past few months experimenting with Sprott's ccts, they are VERY interesting and simple to build

An Integrator can be made with a capacitor on the feedback path of an opamp, maybe a slew module or LPF would give a similar effect.

The easiest way to chaos in electronic ccts is to implement non-linear feedback. check out Ian Fritz's designs for some good chaos examples (the best!).

Maybe your idea of feeding the vcf back into the vco could really get interesting if you 1st feed the vcf output thru another module, then to the vco.
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bryan



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PostPosted: Thu May 29, 2008 11:10 am    Post subject: Reply with quote  Mark this post and the followings unread

Andrew, thanks for the great recommendations. I found Sprott's web page and it has some fantastic resources. The Dan Slater article is really good and something I sought out before.. you gotta love the archived web pages.

Since you mentioned Ian Fritz, reading about his circuits on the forums here directly inspired me to post about this. I've built a few simple circuits before but I'm excited about assembling some of these chaotic ones, including his.

andrewF wrote:
Maybe your idea of feeding the vcf back into the vco could really get interesting if you 1st feed the vcf output thru another module, then to the vco.


Nice idea. That's the type of thing I hope to find, interesting variations on the basic patches. Variations of feedback.
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Jari Jokinen



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PostPosted: Thu May 29, 2008 1:20 pm    Post subject: Reply with quote  Mark this post and the followings unread

I am not familiar with "chaos theory", but I think, that a "chaotic" event can be totally deterministic.

When I tried the three VCO chain frequency modulating patch, it always stabilized after a while. Before that it sounded interesting though.
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dougcl



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PostPosted: Thu May 29, 2008 3:34 pm    Post subject: Reply with quote  Mark this post and the followings unread

Anyone have a reference on how to get a 1st order system modeled on a synthesizer? Perhaps you rewrite everything as integrals and use slew limiters (?) as signal integrators. A suitable example would be the equations for the lorenz attractor. Seems like this would make a good first project.
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blue hell
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PostPosted: Thu May 29, 2008 4:53 pm    Post subject: Reply with quote  Mark this post and the followings unread

Here are some chaotic differential equations that I worked out for the G2, you'll want the G2 editor software or the G2 demo software to be able to see the patches. Both can be found here.
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dougcl



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PostPosted: Thu May 29, 2008 5:34 pm    Post subject: Reply with quote  Mark this post and the followings unread

Awesome. Thanks! I'll try this out in the demo software. Just thinking about this some more, perhaps operating on three VCLFO's is best. Then use the signals as pitch CV on three VCO's (don't get the VCO's themselves wrapped up in the feedback).

it seems one would need:

3 VCO's
3 VCLFO's
3 voltage inverters
1 ring mod
3 CV mixers
3 (?) multiples
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andrewF



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PostPosted: Thu May 29, 2008 5:52 pm    Post subject: Reply with quote  Mark this post and the followings unread

For me, some of the images in the Slater article link didn't appear. If you have access to scholar's databases like Jstor you can see the full version.
One patch suggested by Mr Slater is below. The chaos CV in on the 3rd VCA is just a CV signal to control the level of chaos, it is not a chaotic signal itself.

Another way to try is use a state variable filter with HP, BP and LP outputs. plug the LP out into something that will alter it ...but not too much, maybe a ring mod, Harry's Morph Lag might be good. feed the output of this back into the filter, either mixed with the original signal in a mixer, or thru the CV input (just an idea - untested)

I have found it more interesting to try and get chaotic CV signals rather than audio. At audio frequencies it just seems more like distorted waveshapes. Doing it to control voltages, and then using them to drive an oscillator sounds like your synth has glossolalia Shocked


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dougcl



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PostPosted: Thu May 29, 2008 6:27 pm    Post subject: Reply with quote  Mark this post and the followings unread

Yep, those pics didn't show up for me. Thanks for posting that. I need to see if I have access to the original articles. Suddenly it occurs to me that VCLFO's (or any LFO) doesn't belong in the lorenz patch. Not sure what I was thinking.
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bryan



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PostPosted: Fri May 30, 2008 1:01 am    Post subject: Reply with quote  Mark this post and the followings unread

andrewF wrote:
I have found it more interesting to try and get chaotic CV signals rather than audio. At audio frequencies it just seems more like distorted waveshapes.


I tried out some ideas using a simple cross-modulating VCO chaos patch and inserting a filter and slew limiter at different points. The results were really good and teased out the slower patterns hidden within the audio frequencies.

First off, it seems only 2 VCOs are necessary to get the party started. I found it was enough just to cross modulate once between them. Another cool thing is being able to polarize the CV. The behavior is pretty much the same with equivalent + or - polarity but going from - to + sounds sort of like opening up a LPF.

So right now I've had a patch running untouched for about 30 minutes and it has a nice balance of order/disorder that makes it pretty relaxing (at certain settings). It gives increased control over timbre and rhythmic patterns at the same time. Here's the patch:

2 VCOs cross-modulate each other once. VCO #1 also goes into a slew limiter and a state variable VCF. Slew limiter CV out controls the VCF cutoff in the - direction so that the VCF closes down with increase in the CV input. HP out of the VCF into a CV in of VCO #1, but just a little bit. VCF LP out to master mix output. ....Additionally, another out of the VCF into a gate and also into a VCA. The threshold on the gate is set so that it opens up at peaks in the signal and this opens and closes the VCA. VCA out to master mix output.

Set the VCOs frequencies to get things unstable, then play with VCF settings to simplify the system.
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