electro-music.com   Dedicated to experimental electro-acoustic
and electronic music
 
    Front Page  |  Radio
 |  Media  |  Forum  |  Wiki  |  Links
Forum with support of Syndicator RSS
 FAQFAQ   CalendarCalendar   SearchSearch   MemberlistMemberlist   UsergroupsUsergroups   LinksLinks
 RegisterRegister   ProfileProfile   Log in to check your private messagesLog in to check your private messages   Log inLog in  Chat RoomChat Room 
 Forum index » Discussion » Composition
electronic music made with acoustic instruments ?
Post new topic   Reply to topic Moderators: elektro80
Page 2 of 2 [30 Posts]
View unread posts
View new posts in the last week
Mark the topic unread :: View previous topic :: View next topic
Goto page: Previous 1, 2
Author Message
kijjaz



Joined: Sep 20, 2004
Posts: 765
Location: bangkok, thailand
Audio files: 4

PostPosted: Fri Sep 12, 2008 11:04 pm    Post subject: Reply with quote  Mark this post and the followings unread

electronic music made with acoustic instruments?

now i'm thinking about feeding amplified or processed sound
back into an acoustic instrument/system.

i like that kinda thing heheheh.
Back to top
View user's profile Send private message Send e-mail Visit poster's website Yahoo Messenger MSN Messenger
Acoustic Interloper



Joined: Jul 07, 2007
Posts: 2073
Location: Berks County, PA
Audio files: 89

PostPosted: Sat Sep 13, 2008 6:13 am    Post subject: Reply with quote  Mark this post and the followings unread

kijjaz wrote:
now i'm thinking about feeding amplified or processed sound back into an acoustic instrument/system.

One of the things on my "to do list" is working out performance skills for capturing and processing instrument+room feedback enabled via mic'ing an acoustic instrument. This all started with trying to control room feedback through an over-sensitive mic that feeds my banjo playing into a software delay & feedback set of FX. There are two forms of feedback in this system, room feedback through the mic and software feedback in the -- high wet-to-dry, multistage with feedback -- signal processing chains.

In the process of trying to eliminate the effects of the room feedback, I was using expressions pedals to adjust wet/dry and software feedback so I could take the FX to the edge of resonance with the room without going into oscillations. The expression pedal settings are different for each room and instrument and mic, so you pretty much have to "ring out the room" before playing, to see the points in the pedals where oscillation sets in.

In practicing this, I soon discovered that I could capture the room feedback of instrument, and loop it through the software FX. At this point I am "playing the room" as an additional part of my acoustic instrument.

Sadly, I haven't had enough time to practice this enough to integrate it into a performance. As I say, it's on my to do list, which just keeps growing.

_________________
When the stream is deep
my wild little dog frolics,
when shallow, she drinks.
Back to top
View user's profile Send private message Visit poster's website
Uncle Krunkus
Moderator


Joined: Jul 11, 2005
Posts: 4761
Location: Sydney, Australia
Audio files: 52
G2 patch files: 1

PostPosted: Sat Sep 13, 2008 1:51 pm    Post subject: Reply with quote  Mark this post and the followings unread

Keep in mind that once you get 5 people in the room it will all change. Very Happy
_________________
What makes a space ours, is what we put there, and what we do there.
Back to top
View user's profile Send private message Visit poster's website
Acoustic Interloper



Joined: Jul 07, 2007
Posts: 2073
Location: Berks County, PA
Audio files: 89

PostPosted: Sat Sep 13, 2008 3:06 pm    Post subject: Reply with quote  Mark this post and the followings unread

Yep. That's why it's on expression pedals. I got to practice setting this up a little before my performance at em2008, but no time to improvise anything during the performance. I did play with it a little in the jam room, but ran out of time there, too. Busy weekend!
_________________
When the stream is deep
my wild little dog frolics,
when shallow, she drinks.
Back to top
View user's profile Send private message Visit poster's website
Sam_Zen



Joined: Mar 08, 2008
Posts: 251
Location: NL

PostPosted: Sat Sep 13, 2008 8:53 pm    Post subject: Reply with quote  Mark this post and the followings unread

Of course any acoustic instrument can be modulated into an electronic sound.
On the other hand, I consider the sound of some acoustic objects as is, as 'an electronic sound', because of the properties.
Fill a whistling kettle with a bit of water, and hit the bottom of the kettle with a stick, while turning its angle..
So I think both is possible. Making 'acoustical' music with el. equipment, or makin el. music with acoustical tools.

_________________
0.618033988
Back to top
View user's profile Send private message Visit poster's website
Display posts from previous:   
Post new topic   Reply to topic Moderators: elektro80
Page 2 of 2 [30 Posts]
View unread posts
View new posts in the last week
Goto page: Previous 1, 2
Mark the topic unread :: View previous topic :: View next topic
 Forum index » Discussion » Composition
Jump to:  

You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum
You cannot attach files in this forum
You can download files in this forum


Forum with support of Syndicator RSS
Powered by phpBB © 2001, 2005 phpBB Group
Copyright © 2003 through 2009 by electro-music.com - Conditions Of Use