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Rack mount VA for filter sweeps (Like Edgar's Arp2600 patch)
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OldManAndTheSea



Joined: Dec 21, 2005
Posts: 8
Location: Seacoast NH, USA

PostPosted: Thu Dec 22, 2005 6:48 am    Post subject: Rack mount VA for filter sweeps (Like Edgar's Arp2600 patch)
Subject description: Is there a machine that can emulate that chirping decending sweep?
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Im new to programming synths, and need help finding one that can emulate this patch, preferably a rackmount controlled by a keyboard controller with mod/pitch wheels. And I think I understand some of the mechanics of how the Frankenstein filter sweep works by looking at some diagrams (Clock->Noise->S&H->EG->VCF) or something like that. What exactly are we hearing in that sound besides the 24db filter sweeping, down?

What components in a VA synth do I need to look for to be able to try to emulate that patch? It doesn't have to sound exact, just something similar. Would, say, a MS2000R be able to do it something like it, a MT-32, or a Pulse?

TIA - Mike
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elektro80
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PostPosted: Thu Dec 22, 2005 6:54 am    Post subject: Reply with quote  Mark this post and the followings unread

Try to search the forum for DikMik

You are talking about the late 60s -late 70s spacy chirpy synth noises, right?

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OldManAndTheSea



Joined: Dec 21, 2005
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PostPosted: Thu Dec 22, 2005 6:58 am    Post subject: Reply with quote  Mark this post and the followings unread

Ya, its the sound that starts high and "slides" lower with constant chirping, over a period of about 15 seconds, it seems to have a .5hz modulation to it that gives it a "pumping" sound along with the chirps, at the very end of the sound on the recording you can barely hear the (white/pink) noise generator...
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Mohoyoho



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PostPosted: Thu Dec 22, 2005 7:19 am    Post subject: Reply with quote  Mark this post and the followings unread

To me it sounds like the filter is self oscillating and is being swept by an envelope.
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elektro80
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PostPosted: Thu Dec 22, 2005 7:25 am    Post subject: Reply with quote  Mark this post and the followings unread

If you follow these threads you will learn to make that one and similar ones.
This sound of yours is part of a group of ( vintage ) patches that were fairly easy to set up on analog pre-80s synths.

http://electro-music.com/forum/topic-7436.html

and

http://electro-music.com/forum/topic-8008.html

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OldManAndTheSea



Joined: Dec 21, 2005
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PostPosted: Thu Dec 22, 2005 7:28 am    Post subject: Reply with quote  Mark this post and the followings unread

Thanks, thats exactly what im looking for, I should be able to figure out if a new VA can do it by looking at the sig flow....

but... what the heck does dikmik stand for??? LOL

---edit---

Nope, after listening to those samples, thats not the sound, its not those spacey bleeps. The only place Ive heard it on is Edgar Winters Frankinstein recording just before the drum solo, actually, as a kid I remember playing with a moog at Ace Music Store in North Miami and accidentally coming across the patch, kids do the craziest things...

Last edited by OldManAndTheSea on Thu Dec 22, 2005 7:45 am; edited 1 time in total
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elektro80
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PostPosted: Thu Dec 22, 2005 7:42 am    Post subject: Reply with quote  Mark this post and the followings unread

dikmik? read those threads and you will figure it out..

Nah.. I can tell you..

This type of patches got this nickname because these sounds were were all over the first Hawkwind LPs and dikmik was hawkwinds osc/synth/noise box operator. If you were into early 70s psychedelic space rock you would know these sounds as dikmiks. Later on Tangerine Dream figured out how to use their synths. ( By Exit they forgot how to use them.. but that is another story .. fitting title though)

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deknow



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PostPosted: Thu Dec 22, 2005 8:09 am    Post subject: Reply with quote  Mark this post and the followings unread

i think that sound is a noise source going into a high resonance filter modulated by a long envelope.

here is a small example (not perfect, but self playing) that you can listen to and work with in the g2 demo (www.clavia.se).
deknow


squelch.pch2
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 Filename:  squelch.pch2
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deknow



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PostPosted: Thu Dec 22, 2005 8:13 am    Post subject: Reply with quote  Mark this post and the followings unread

of course, the arturia 2600 software synth can probably do this as well. there is a good video of the edgar winter band doing this song on the dvd "the old grey whistle test", and you might be able to see the 2600 well enough to see what is going on (although i have been told that these performances weren't striclty live).

deknow
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OldManAndTheSea



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PostPosted: Thu Dec 22, 2005 8:27 am    Post subject: Reply with quote  Mark this post and the followings unread

deknow wrote:
i think that sound is a noise source going into a high resonance filter modulated by a long envelope.


Hmmmm, maybe if a synth doesnt have a noise source, but had an external in, I could run a (homemade) noise source into the VCF, as long as I could mod the VCF with the EG, the EG->VCF patch would be key.

---edit---

Ok Ive done some research, it seems that to make this sound the VCF cut off frequency is adjusted by hand, the ARP manual say set at 10Khz and move slowly down to 100Hz, it is resonate. And there seems to be some "gating" involved, it may be done by a LFO, but Im not sure. Noise is involved and thats what seems to feed the VCF. Thanks for everyone input. I guess experimentation is the key here.
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Mohoyoho



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PostPosted: Thu Dec 22, 2005 10:34 pm    Post subject: Reply with quote  Mark this post and the followings unread

Is this close? I did this on my Voyager.


Frankenstein.mp3
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Simplified Frankenstien.

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OldManAndTheSea



Joined: Dec 21, 2005
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PostPosted: Fri Dec 23, 2005 3:50 am    Post subject: Reply with quote  Mark this post and the followings unread

Nice! Very Happy Pretty close! How did you do it, what modules? Do I hear 2 VCOs and a VCF sweep, self rezin? Thanks - mike!
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Mohoyoho



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PostPosted: Fri Dec 23, 2005 7:13 am    Post subject: Reply with quote  Mark this post and the followings unread

I started off with a self resonating filter by putting the res all the way on. The cutoff is set fairly low. I turned off all oscillators. I used an envelope generator to sweep the filter. The attack was off, the decay set high, the sustain off (or set to where you want the lowest note to settle) and the release was low. I used the volume envelope, because I wanted to use the envelope filter for the chirpy quack.

Now the tricky part: To get the chirp I had to get the filter envelope to retrigger with the LFO. I set the Voyager to accept an external gate which turns off the keyboard as the trigger. The V'ger has a switch that does that and allows the S&H to be used as the env. trigger. But by doing this the gate is constantly on. So I took the keyboard's gate output (via the Voyager's VX 351 outbox) and fed it back into the Envelpe gate. Thus, whenever you pressed a key you would open the gate and the sweep would start from the beginning.

After posting my above sample I went back and experimented a bit. You can eliminate the vol. envelope as the sweep and just tweak the cutoff knob yourself. I'm sure that's what Winter did. You can also tweak with the env. generator setting to change the chirp to a wet quack.

This was a fun excercise. Oh, and that rumble/noise in background of my sample is from the horrible soundcard of my laptop. It's exaggerated because I didn't bother to lift the ground.
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OldManAndTheSea



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PostPosted: Fri Dec 23, 2005 8:00 am    Post subject: Reply with quote  Mark this post and the followings unread

So for me to emulate this on a (sub $400) genertic rack VA, I seem to need a S&H which most of those are missing. (And the reason for this exersise is to determine what specific synth componets I need to make this sound)

Let me summarize so i understand:

1 The Low pass VCF is set to self rez, the "chirp" is the rez frequency
2 It is the VCF cutoff that is being swept from higher to lower (in Hz)
3 EG sustain ramp controls the VCF (most synths can set up this patch)
4 Or I can manually move a midi fader and move the VCF point lower in freq.

Now this is where Im still a little fuzzy (the tricky part!)

What part does the LFO play? I think it is used to set the repeat frequency of the chirping sound, true? What does the LFO feed?

If the LFO feeds the S&H, it is used only to re-trigger the, ummm EG?

Can I do this without a S&H with an external trigger?

When it retriggers, a sound is made at the point that the VCF is at which is set by EG (sustain slope)

I think. LOL

---edit---

oops - wrong terminology - I meant Freq, not cutoff concerning the VCF.
and not Sustain, but Decay with the EG.

Last edited by OldManAndTheSea on Fri Dec 23, 2005 9:47 am; edited 1 time in total
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deknow



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PostPosted: Fri Dec 23, 2005 8:13 am    Post subject: Reply with quote  Mark this post and the followings unread

again, all of this can be done with the free nord modular demo, so i don't see any reason to spend $400 just to experement with. that said, you could come close to this with virutally any of the va synths out there.

deknow
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OldManAndTheSea



Joined: Dec 21, 2005
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PostPosted: Fri Dec 23, 2005 8:32 am    Post subject: Reply with quote  Mark this post and the followings unread

Ya, but this is for playing live, Id use the synth for other bit part leads as well. Simple setup - a string/organ rom machine for fills, and a VA synth for vintage synth "sounds" like this one, and other leads, each controlled by a midi keyboard. Just enough to add some authenticity to songs... I dont want to drag around 2 or 3 keyboards, just a small one and have everything else in a rack. Its the less is more, and i dont want to carry anything i dont have to in my old age syndrome.

Mike
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elektro80
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PostPosted: Fri Dec 23, 2005 8:44 am    Post subject: Reply with quote  Mark this post and the followings unread

Slightly more than 400USD, but the Creamware Minimax ASB woodensided minimoog clone is rather nice.
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Mohoyoho



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PostPosted: Fri Dec 23, 2005 11:54 am    Post subject: Reply with quote  Mark this post and the followings unread

Let's see if I can condense this procedure:
1. Set LPF to self resonate by having cutoff off low and Res high.
2. Turn off oscillators.
3. Have the Cutoff modulated by a Env. Generator. Attack 0, Decay medium high, Sustain 0 (or some low setting), Release Low. (Or you could do this manually by sweeping the cutoff by hand.)
4. Set Filter Envelope Generator to make the filter chirp to taste
5. Have your LFO with either S&H or square wave trigger the Filter Envelope. Set LFO speed to taste.

I would think most good VAs could handle this. I would say the Ion ($599) could do it or a used Waldorf Q. The trick is to get the filter envelope to be triggered by the LFO. I think the Cremeware minimoog clone could do it as well. I have read it sounds great but has some major issues in Poly mode. Surely they'll get that under control soon with an update. Mono mode works great.

On my Voyager I had the keyboard gate turning the envelope gate on and off. That probably wasn't necessary, but it was what I came up with on the fly to get it to work on my system. There's probably an easier way to do it.

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OldManAndTheSea



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PostPosted: Fri Dec 23, 2005 12:04 pm    Post subject: Reply with quote  Mark this post and the followings unread

Great explaination Mark, thanks. It's starting to sink in, its tough without the hardware to play with. Ive studied a few low cost synths (like the ms200br) and its virtual patching capibility, and i dont think it can do that sound, either can the novation a-station i dont think, both because of the special triggering. But Ive stumbled upon ones like the Red Square, and by your patch description, i can see clearly that it can do it, but at $1000, nice synth though. The Nord Modulars look promising with virtual patching, espcialy the rack unit. I want to thank you for putting the effort into helping out, Ive learn alot in the last couple of days, for one, not all synths are a like!

Merry Christmas All,
Mike
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Mohoyoho



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PostPosted: Sat Dec 24, 2005 9:57 am    Post subject: Reply with quote  Mark this post and the followings unread

No problem. I enjoyed working on it. Check out the Ion by Alesis. A lot of bang for the buck. A used Waldorf Q would be advisable. That's an amazing digital synth. There's very little it can't do.

By the way, I am originally from the seacoast of Massachusetts. A little town called Cohasset.

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