electro-music.com   Dedicated to experimental electro-acoustic
and electronic music
 
    Front Page  |  Radio
 |  Media  |  Forum  |  Wiki  |  Links
Forum with support of Syndicator RSS
 FAQFAQ   CalendarCalendar   SearchSearch   MemberlistMemberlist   UsergroupsUsergroups   LinksLinks
 RegisterRegister   ProfileProfile   Log in to check your private messagesLog in to check your private messages   Log inLog in  Chat RoomChat Room 
 Forum index » DIY Hardware and Software
inverting amplifier/mixer: small cap in feedbackpath?
Post new topic   Reply to topic Moderators: jksuperstar, Scott Stites, Uncle Krunkus
Page 1 of 1 [9 Posts]
View unread posts
View new posts in the last week
Mark the topic unread :: View previous topic :: View next topic
Author Message
fonik



Joined: Jun 07, 2006
Posts: 3950
Location: Germany
Audio files: 23

PostPosted: Fri Jun 15, 2007 1:05 am    Post subject: inverting amplifier/mixer: small cap in feedbackpath?
Subject description: what is the use and how to calculate the value...
Reply with quote  Mark this post and the followings unread

hi all,

we often see a small cap in parallel to the resistor in the feedback path of inverting OPA stages. the values vary approx. between 2pF and 22pF.

what is the use of these? how do i calculate the value?

_________________
Posted Image, might have been reduced in size. Click Image to view fullscreen.
cheers,
matthias
____________
Big Boss at fonitronik
Tech Buddy at Random*Source
Back to top
View user's profile Send private message Send e-mail Visit poster's website
Uncle Krunkus
Moderator


Joined: Jul 11, 2005
Posts: 4761
Location: Sydney, Australia
Audio files: 52
G2 patch files: 1

PostPosted: Fri Jun 15, 2007 3:32 am    Post subject: Reply with quote  Mark this post and the followings unread

From what I've worked out, they allow complete negative feedback of high frequency oscillations which sometimes are a problem when you've got an op-amp configured for a gain of 10 or more. This thereby actively eliminates them from that gain section. Someone jump in and tell me if that's off track.
I'm not sure about how to decide what kind of value to use, but because of the way they sap the oscillations it makes sense (and I've heard before) that any value from 10pF to 100pF will do the trick. I figure if you take the value to high you'll start to audibly lose top end response.

_________________
What makes a space ours, is what we put there, and what we do there.
Back to top
View user's profile Send private message Visit poster's website
fonik



Joined: Jun 07, 2006
Posts: 3950
Location: Germany
Audio files: 23

PostPosted: Fri Jun 15, 2007 3:42 am    Post subject: Reply with quote  Mark this post and the followings unread

Uncle Krunkus wrote:
From what I've worked out, they allow complete negative feedback of high frequency oscillations which sometimes are a problem when you've got an op-amp configured for a gain of 10 or more.

so there won't be a need for those in a unity gain chain (or gain=1)!?

_________________
Posted Image, might have been reduced in size. Click Image to view fullscreen.
cheers,
matthias
____________
Big Boss at fonitronik
Tech Buddy at Random*Source
Back to top
View user's profile Send private message Send e-mail Visit poster's website
Uncle Krunkus
Moderator


Joined: Jul 11, 2005
Posts: 4761
Location: Sydney, Australia
Audio files: 52
G2 patch files: 1

PostPosted: Fri Jun 15, 2007 3:49 am    Post subject: Reply with quote  Mark this post and the followings unread

Not as far as I understand it.
Thanks Fonik, you've actually given me the opportunity to display some very specific knowledge which I have gained solely by hanging out on this forum. I feel all kind of warm and fuzzy inside. Very Happy (could be the beer? Shocked )

_________________
What makes a space ours, is what we put there, and what we do there.
Back to top
View user's profile Send private message Visit poster's website
frijitz



Joined: May 04, 2007
Posts: 1734
Location: NM USA
Audio files: 54

PostPosted: Fri Jun 15, 2007 6:42 am    Post subject: Re: inverting amplifier/mixer: small cap in feedbackpath?
Subject description: what is the use and how to calculate the value...
Reply with quote  Mark this post and the followings unread

fonik wrote:
we often see a small cap in parallel to the resistor in the feedback path of inverting OPA stages. the values vary approx. between 2pF and 22pF.

what is the use of these? how do i calculate the value?


The cap is usually there to suppress high frequency oscillations, as already mentioned. These can occur when there is a large capacitance at the opamp output, or when the opamp is used for a servo loop (expo converter), or when a wire-wound tempco is used in the feedback path (even though the gain is less than unity).

These oscillations can sometimes be quite stubborn and difficult to eliminate. I found small oscillations in the expo converters of several Electronotes designs, even though they had the feedback cap. Getting rid of them improved the tracking curve.

Modern high-performance opamps usually have fewer problems that older devices.

The best way to calculate the cap value is to measure the frequency of the oscillations and chose the cap such that 1/RC less than that frequency. The oscillations are usually quite high in frequency, so there is quite a bit of leeway before you start to hurt the audio response. But it's always a good idea to look around for any oscillations using a good scope probe.

Ian
Back to top
View user's profile Send private message
funkyfarm



Joined: Jan 21, 2007
Posts: 583
Location: France
Audio files: 3

PostPosted: Sun Jul 01, 2007 11:59 am    Post subject: Reply with quote  Mark this post and the followings unread

Discreet, but this is surely the best topic of the year !!

fonik rules !

(btw, i put 10 or 15pf everywhere)
Back to top
View user's profile Send private message
zipzap



Joined: Nov 22, 2005
Posts: 559
Location: germany
Audio files: 24

PostPosted: Sun Jul 01, 2007 12:41 pm    Post subject: Reply with quote  Mark this post and the followings unread

a good probe could be the thing, cause when i turn my scope up to very high amplification, i see oscillation everywhere. even if i measure nothing or ground. The universe seems to be oszillating...
on the scope i sometimes have difficulties to juge if what i see is good or bad.
So normally, in our analog opamp world, what is it we are looking for? what range of frequency and amplitude?

_________________
http://www.myspace.com/lorolocoacousticpop
http://www.myspace.com/petrolvendor
music and transcribed jazz basslines
Back to top
View user's profile Send private message
yusynth



Joined: Nov 24, 2005
Posts: 1314
Location: France

PostPosted: Sun Jul 01, 2007 11:09 pm    Post subject: Reply with quote  Mark this post and the followings unread

Hi

Here are some infos.

Yes you are right the feedback capacitor is only required when the gain is greater than, say 3. Now how do one calculate the value of this cap ?
If the maximum frequency you allow to pass is F and the feedback resistor is R, then the value of C is :

C = 1 /(2xPIxFxR), for example if F= 30kHz and R = 150k then C is 35pF.

_________________
Yves
Back to top
View user's profile Send private message Visit poster's website
jhaible



Joined: May 25, 2007
Posts: 2014
Location: Germany
Audio files: 24

PostPosted: Tue Jul 03, 2007 4:29 am    Post subject: Reply with quote  Mark this post and the followings unread

As I see it, the main reason to add these capacitors is to compensate the input capacitance of the opamp.

The opamp creates a phase shift towards higher frequencies.
Also with increasing frequency, the opamp's (open loop) gain is decreasing. This leads to the infamous phase margin: how much of additional phase shift would be required for the whole thing (opamp plus feedback path) to oscillate. This depends on the opamp type and the closed loop gain, i.e. how much feedback you have. Normally tighter feedback is worse - lower gain of the (closed loop) amp will be more prone to oscillating. That's why some fast opamps will only work down to a certain closed loop gain (like 3, or 5), and not to unity gain.
As this is specific for each opamp, you normally find the relevant information in the data sheet. It shows a way how to build an amp with good "safety margin" against oscillation.

Now everything that creates an extra phase shift, in addition to the normal data sheet applications, makes this phase margin smaller. You'll get more overshot/ringing, and for severe extra phase shifts, even self oscillation.

One way to get increased phase shift in the feedback circuit of an opamp is to use large resistor values. A simple resistor from output to input will create a low pass filter together with the opamps own (parasitic) input capacitance. (And with the stray capacitance of the copper tracks on the pcb, of course.) This low pass filter will add some phase shift, thus decreasing the phase margin of the circuit.

You can cure this by connecting a small capacitor across the feedback resistor (parallel connection). Now, at "very high" frequencies, where your ringing and oscillations are bound to occur, that capacitor dominates the impedance of the feedback_resistor, capacitor parallel connection: the cap has a much lower impedance there. This also means that the combined impedance is (almost) capacitive in nature. Now, still looking at highe frequencies, in combination with the opamp's input capacitance you don't have a low pass filter anymore (series R and shunt C); now you have a simple voltage divider (series C and shunt C). The whole divider is capacitive in nature, but as both the series and the shunt arm of the divider are capacitive, there is no additional phase shift!

How does this relate to noninverting unity gain amplifiers?
If your feedback path is a straight wire, you obviously don't need a capacitor. But in specific cases you may have a single resistor from the opamp output to the inverting input even in a unity gain application (for instance, to match a source impedance at the positive input, in order to do a bias current compensation); then, if the resistor value is large, you may consider connecting a cap across this as well.

Does this method help to compensate the effect of vcapacitive loading of the opamp output? - I can't see any way it would compensate this directly, but capacitive loading creates phase shift from the opamp's output resistance and the capacitive load (another low pass filter!), so we might be well advised to minimize the phase shift elsewhere (at the input).
Maybe that's why that cap across the feedback resistor also helps with capacitive loading, to a certain degree.

JH.

_________________
"I tell you the truth, if anyone says to this mountain, 'Go, throw yourself into the sea,' and does not doubt in his heart but believes that what he says will happen, it will be done for him. Therefore I tell you, whatever you ask for in prayer, believe that you have received it, and it will be yours." (Mk 11,23f)
Back to top
View user's profile Send private message Send e-mail Visit poster's website
Display posts from previous:   
Post new topic   Reply to topic Moderators: jksuperstar, Scott Stites, Uncle Krunkus
Page 1 of 1 [9 Posts]
View unread posts
View new posts in the last week
Mark the topic unread :: View previous topic :: View next topic
 Forum index » DIY Hardware and Software
Jump to:  

You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum
You cannot attach files in this forum
You can download files in this forum


Forum with support of Syndicator RSS
Powered by phpBB © 2001, 2005 phpBB Group
Copyright © 2003 through 2009 by electro-music.com - Conditions Of Use