FS: Sherman Filterbank Version 2 Rack Analog Filter - MINT

[stevenclements]

I've used this for about 15 minutes one evening. Sounds fantastic... but I have so much gear I don't go to it anymore and honestly I've been playing the guitar more... and I want another one.

Help me fund my synth guitar desries... buy my Sherman Filterbank Version 2 Rack



I do not charge to pack an item... or cart it to the shipper for shipping.

There are no hidden charges.

You will be responsible to pay only for the cost of shipping and insurance to your address.... I'm in Edmonton Alberta Canada

$779 at analoguehaven...

$600 for this one.



info - blah blah blah... you can find this with google:

Sherman Filterbank 2 Specs & Features


What it is :
• A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.
• An afforfable small modular filter Easy and FUN to use, live and in the studio
• Application: processing every sound source, effect mixing, expanding modular systems, etc.

Features :
• Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
• These are switchable between parallel or serial
• The second filter has a 6 octave switch, and is synchronizable with the first filter
• 1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
• 1 FM input for the filters, internal or external audio, LFO or CV
• 1 VCA overdrive with AR generator also
• 1 ring modulator input, internal or external audio, LFO or CV

VERSION OF THE FILTERBANK V2 IN RACK VERSION, JACKS IN THE FRONT

What's New about the Sherman Filterbank 2 :

• There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

• The pedal input allows foot control of freq1 and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in ‘extra stuff’.

• A 5mm big green LED indicates "Effect on" on the FB 2

• A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)

• Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.

• A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.

• A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

• The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.

• An extra white LED indicates when the tracking system is "locked on".

• At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig: this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.
Controls:

• Hi Boost/Cut
pre-equalisation

• SensiTrig/Limit on input stage
SensiTrig makes the triggering twice as sensitive for, e.g. clean string pad filtering)
Limit leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven

• Input sensitivity
(Overdrive amount from middle click)

• Frequency Modulation Depth2
Controls how much the modulation source (internal or external) influences the cutoff frequency

• Attack Time ADSR1
Attack Time Envelope Follower
Controls the attack time of the ADSR envelope or the envelope follower

• Decay Time ADSR1
Controls the decay time of the ADSR envelope

• Sustain Level ADSR
Envelope Follower Sensitivity
Controls the sustain level of the ADSR envelope

• Release Time ADSR1
Release Time Envelope Follower
Controls the release time of the ADSR envelope or the envelope follower

• ADSR / Envelope Follower
Switches between the ADSR generator and the envelope follower

• LFO mode (Restart/Sawtooth)
Switchesbetween sawtooth wave shape and AR retrig: this forces an LFO restart from the AR trig with pumping grooves as unavoidable result.

• Phase/Antiphase LFO Depth
Controls the depth and phase of the LFO

• Transpose +Oct./+Quint
+Oct: doubles freq of both filters
+Quint: +Oct, modulated by a monophonic divider, at high speed averageing +1 quint

• Tracking Normal/Low/Off
A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as a result.


• LFO Frequency
Controls the speed of the LFO

• Frequency Filter 12
Controls the filter frequency for filter 1

• Resonance Filter 12
Controls the resonance of filter 1

• ADSR Modulation Depth Filter 1
Controls how much filter 1 is influenced by the ADSR

• Output Mix Low/Band/High Pass Filter 1
Controls the mix between the different filter types of filter 1

• Special Anti-Mix Correction Filter 1
Allows to mute, make notch filter and about every imaginable mix of bp/bp/lp

• Frequency Filter 22
Controls the filter frequency for filter 2

• Resonance Filter 22
Controls the resonance of filter 2

• ADSR Modulation Depth Filter 2
Controls how much filter 2 is influenced by the ADSR

• Output Mix Low/Band/High Pass Filter 2
Controls the mix between the different filter types of filter 2

• Special Anti-Mix Correction Filter 2
Allows to mute, make notch filter and about every imaginable mix of bp/bp/lp

• 12 step harmonic scaling
forces the 2 filters to track in fixed harmonic relation, with digital precision but analog power

• Amplitude Modulation Depth2
Controls how much the modulation source (internal or external) influences the volume

• Attack Time AR1
Amplitude/gate envelope generator attack time

• Release time AR1
Amplitude/gate envelope generator release time

• Balance Parallel/Serial
Controls how the signal is routed through the 2 filters

• Balance between bypass & effect
Mixes the dry signal with the effected signal.
1 MIDI controller value is multiplied with knob position
2 MIDI controller value is added to knob position