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Structured Improvisation
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Michael Chocholak



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PostPosted: Sat Jul 10, 2004 8:32 pm    Post subject: Structured Improvisation Reply with quote  Mark this post and the followings unread

I'm starting this up at the suggestion of egw in the m.e.s.s. intro thread.

I've always been into improv & jamming regardless of what kind of music I'm doing. I've tried different experiments in trying to retain the vitality of improv in compositions. The best example of this in my work so far is Quadrigemina which is a four part piece I wrote for the Hein Pijnenburg of the Schreck Ensemble. I provided a DAT recording of electronics (which is the most static aspect of the piece) as accompaniment to Hein on the bass clarinet. I also provided Hein with an image, a series of descriptive adjectives, a line of poetry, and sets of playing instructions for each section of the piece. I've got a few versions of the piece. They are all recognizable as the same composition but also very different from each other.

You can hear a version at my site at ElectronicScene, although right now you've got to be a member to hifi stream or download (but membership is free). Or you can check it out at the Schreck site (bottom of the page).

I've only recently started working with pc's & sequencers, but quickly discovered that the potentials for this kind of chameleon composition are obviously huge.

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PostPosted: Sat Jul 10, 2004 10:38 pm    Post subject: Reply with quote  Mark this post and the followings unread

gestural controllers are neat for this kind of thing and also cheap. there are a couple places selling midi boxes that allow you use a range of analog controls like pots, faders, force sensitive resitors, even thermistors. soooo many possibilities for self-modulating installations as well as intersting live performances.

i'm waiting for the smashistor
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Michael Chocholak



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PostPosted: Mon Jul 12, 2004 4:42 pm    Post subject: Reply with quote  Mark this post and the followings unread

Quote:
i'm waiting for the smashistor


Very Happy Isn't what Jimi turned his guitar into?

I used to dream about having a controller - like maybe a soft ball the size of a grapefruit - that would respond to tactile stimulus, pressure, etc. I figured at first it would be insane trying to play it - but fun - and eventually you'd get it figured out. Who's putting these midi controllers out?

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mosc
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PostPosted: Mon Jul 12, 2004 6:53 pm    Post subject: Reply with quote  Mark this post and the followings unread

Doepfer has a product you might be interested in: http://www.doepfer.de/home_e.htm

Posted Image, might have been reduced in size. Click Image to view fullscreen.
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aquanaut



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PostPosted: Mon Jul 12, 2004 8:59 pm    Post subject: Reply with quote  Mark this post and the followings unread

what i like the most is improv without recording what your doing. That way when something nice happen you have to let it go. I like those moment when i feel i had put my feet down in the present tense
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PostPosted: Tue Jul 13, 2004 12:05 am    Post subject: Reply with quote  Mark this post and the followings unread

niko_91 wrote:
what i like the most is improv without recording what your doing. That way when something nice happen you have to let it go. I like those moment when i feel i had put my feet down in the present tense


::)


me too. i like making masterpieces of abstract impressionism in the condensation on car windows or with a stick in the dirt. gives me the same liberating feeling as improvisational music.
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egw
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PostPosted: Tue Jul 13, 2004 3:41 am    Post subject: Reply with quote  Mark this post and the followings unread

niko_91 wrote:
what i like the most is improv without recording what your doing. That way when something nice happen you have to let it go. I like those moment when i feel i had put my feet down in the present tense


It seems to me that the best musical moments have come when it was not being recorded. People are a little looser, willing to make mistakes or try new things. A few times I switched on the recorder without telling others.
Maybe it's just that, when you can't hear the recording, you only remember what was good about the music, the vibe you had going, but you don't know how it would sound objectively to someone else listening.
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egw
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PostPosted: Tue Jul 13, 2004 3:47 am    Post subject: Reply with quote  Mark this post and the followings unread

Michael Chocholak wrote:

I used to dream about having a controller - like maybe a soft ball the size of a grapefruit - that would respond to tactile stimulus, pressure, etc. I figured at first it would be insane trying to play it - but fun - and eventually you'd get it figured out. Who's putting these midi controllers out?


Have you looked at the Alesis Airsynth? You can only play the internal sounds (it's not a midi controller) but it's a pretty cool, expressive interface.
http://www.vintagesynth.org/misc/airsynth.shtml
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Michael Chocholak



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PostPosted: Tue Jul 13, 2004 10:29 pm    Post subject: Reply with quote  Mark this post and the followings unread

Makes me wish I had the time to dig out the soldering iron again. David Myers developed a similar, although more extreme, instrument based on the theremin called the Squealer - aptly named too. It's the thingie perched on top of his compact feedback machine Posted Image, might have been reduced in size. Click Image to view fullscreen.
Quote:
Next, the "carry on" Feedback Machine, also called the Shoebox, on a stand for performance. This was based on three Digitec PDS 20/20 delay pedals which I ripped out of their boxes and stuffed into this enclosure along with an Alesis Microverb. A real rat's nest inside, and a touchy unit, but it rocked in its way. Crummy AC at a concert ended its life when smoke actually came out! Too bad. Mounted on top is a device called The Squealer. Two underachieving theremin circuits from a hobbyist magazine were cross-wired and the sensors brought out as wire strips on the box face. The sounds were limited but cool, and to play it required grabbing and rubbing which worked well visually in performance.


Years ago David sent me a oscilloscope video of his feedback music followed by a trailer of a live performance with the Squealer - he looked like a man dancing on a hotwire. The sonics made his regular feedback music sound tame by comparison. Quite entertaining though. Very Happy

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bachus



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PostPosted: Fri Jul 23, 2004 5:17 am    Post subject: Reply with quote  Mark this post and the followings unread

I don't do live and have used real time in a work only once or twice in my life. Not an aesthetic choice just a fact of my limitations. But I'm about to do a cadenza on controllers for a concerto for synths that I am writing/realizing. Here's a pic of some of my controllers. There are more and better sliders on my FW-1888 which I will probably use instead of those on the KB.

I like the Saitek Cyborg joy stick best --and not just because it looks so Cool. Unfortunately good midi drivers for this are hard to come by. At present I am using MIDI Driver from codevis.com which is good and it's FREE banana But it does not come close to fully realizing the wonderful potential of the stick. Any suggestions?


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Michael Chocholak



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PostPosted: Tue Jul 27, 2004 6:47 am    Post subject: Reply with quote  Mark this post and the followings unread

Ahhh. Well, Jeff Harrington's new toy, the Essential Reality P5 USB Virtual Controller Gaming Glove looks like the closest thing so far to what I've imagined.
Posted Image, might have been reduced in size. Click Image to view fullscreen.
Hopefully he'll throw some comments in here about how it's working out & perhaps eventually a track to listen to. Very Happy

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bachus



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PostPosted: Tue Jul 27, 2004 11:36 am    Post subject: Reply with quote  Mark this post and the followings unread

Oh! That's very cool indeed! Cool

My burning questions is: What driver(s)/program(s) does one use to give it a midi data oriented graphical user interface and to bind it all to one's midi rig?
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Michael Chocholak



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PostPosted: Tue Jul 27, 2004 10:59 pm    Post subject: Reply with quote  Mark this post and the followings unread

Not to steal Jeff's thunder on this (yo Jeff... ), but he mentioned that there are a few and specifically cited Audiomulch.

Looks like fun, although I'm sure there's got to be a bit of a physical/intuitive learning curve. Even at $100 it's beyond me right now.

Instead I've started toying with compositional tools based on chaos theory which I'm finding to be both very rewarding when it all comes together (usually through a chain of interesting surprises) and extremely frustrating when it doesn't (nudge one parameter too many and it all goes up in smoke).

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PostPosted: Wed Jul 28, 2004 4:53 am    Post subject: Reply with quote  Mark this post and the followings unread

Michael Chocholak wrote:
Not to steal Jeff's thunder on this (yo Jeff... ), but he mentioned that there are a few and specifically cited Audiomulch.


Hey! Thanks, great link!
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egw
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PostPosted: Wed Jul 28, 2004 4:57 am    Post subject: Reply with quote  Mark this post and the followings unread

I like the idea of a joystick as midi controller.
Does anyone make a box that would allow this to be done as a stand-alone?
i.e. not connected to a pc.
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elektro80
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PostPosted: Wed Jul 28, 2004 5:05 am    Post subject: Reply with quote  Mark this post and the followings unread

...........joysticks were in use in the old days when CV was the latest rage.

I had a few myself. These days I reckon there should still be some standalone units around.. ? Paia... ? Some of the modular synth vendors?
Old designs... but using a CV to midi interface? at least there should be some DIY kits out there...?

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elektro80
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PostPosted: Wed Jul 28, 2004 5:07 am    Post subject: Reply with quote  Mark this post and the followings unread

You are thinking of joysticks in the sense of game controller joysticks? USB devices?
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egw
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PostPosted: Wed Jul 28, 2004 5:14 am    Post subject: Reply with quote  Mark this post and the followings unread

Yes, I'm talking about game controller joysticks.
Since they are mass produced for gamers, you can get good ergonomics for a low price. Maybe the old serial port ones would be easier to convert to midi than the current usb ones.
I was thinking of something along the lines of one of those Midi Solutions boxes, with a serial (or usb) port on one side and a midi out on the other. I guess it would need to be powered.
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elektro80
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PostPosted: Wed Jul 28, 2004 5:16 am    Post subject: Reply with quote  Mark this post and the followings unread

Hmm... I think I have seen something like that on the web somewhere.. dunno where. Great idea. Hmm.. I think I want a few of those. Very Happy Shocked
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PostPosted: Wed Jul 28, 2004 10:22 am    Post subject: Reply with quote  Mark this post and the followings unread

I agree that joysticks have great potential but they need better software.

Id like a program that does on screen tracking. Then you could set a parameter at a fixed position in parameter space on the screen, move and set other parameters--move back to a previously fixed parameter and pick it up again etc. That make any sense? Anybody seen anything like this?
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elektro80
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PostPosted: Wed Jul 28, 2004 10:29 am    Post subject: Reply with quote  Mark this post and the followings unread

That makes perfect sense. ..And it is possible. This is not advanced in any way. I guess MAX is perfect for this.
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PostPosted: Wed Jul 28, 2004 12:15 pm    Post subject: USB controller software Reply with quote  Mark this post and the followings unread

I use a cordless USB Logitech game controller using Junxion freeware

http://www.steim.org/steim/junxion.html

...which lets you map any controller's triggers/pads to MIDI events. It's pretty easy and versatile (but it's only for the Mac). It's been really fun to use this in concert to liberate myself from the laptop or synth keyboard (I use it with Abelton Live mostly).

There IS PC software like this out there too, like

MIDIJoy here: http://vellocet.com/software/VMIDIJoY.html
and MIDI Joystick here: http://members.magnet.at/hubwin/midi.html
and LiveSticks (PC and Mac) here: http://homepage1.nifty.com/tomo_ya/livesticks-e.html

Cool alternative controller hardware too, at:

http://i-cubex.com/catalog/forums.html
and here at: http://www.ucapps.de/
and here: http://www.ymouse.com/

I haven't invested enough time in this to explore the possibilities much yet, but there seems to be a lot of potential for more-expressive performances with some of this stuff!

-Ken

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pyxl8r



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PostPosted: Wed Jul 28, 2004 12:26 pm    Post subject: Happy Accidents Reply with quote  Mark this post and the followings unread

Oh, yeah, improvisation... the topic!

Where would my band be without it!? I'd hate to actually have to LEARN our songs, and there's no better moment than when the whole band comes back from some wild musical tangent and says "Whoa, what the hell was THAT?!!!" I live for that stuff, and fortunately, almost everything we play gets recorded.

-Ken

PS: That Essential Reality P5 USB Virtual Controller Gaming Glove looks like it could be a lot of fun too! Hmmm... and it's ONLY $12.50!

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PostPosted: Wed Jul 28, 2004 1:00 pm    Post subject: Reply with quote  Mark this post and the followings unread

bachus wrote:
I agree that joysticks have great potential but they need better software.

Id like a program that does on screen tracking. Then you could set a parameter at a fixed position in parameter space on the screen, move and set other parameters--move back to a previously fixed parameter and pick it up again etc. That make any sense? Anybody seen anything like this?



this is how tracker's work (buzz, fastTracker, etc.)
I like them alot but the interfaces aren't built for speed. you have to do a lot of moving around to change parameters. maybe I'll get my shit together someday and build a sequencer. There's a distinct lack of fast, simple midi sequencers.
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PostPosted: Thu Jul 29, 2004 5:54 am    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
That makes perfect sense. ..And it is possible. This is not advanced in any way. I guess MAX is perfect for this.


Thanks, I had not looked at MAX because I was under the erroneous impression that it was Mac only.
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