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 Forum index » Clavia Nord Modular » Nord Modular G2 Discussion
Warm-to-wild pedal for G2
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stiiiiiiive



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PostPosted: Thu Dec 13, 2007 7:33 am    Post subject: Warm-to-wild pedal for G2
Subject description: Tubes ? transistor ? Filters ? weirdofects ?
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Yeah guys.

I'm looking for a process unit to place after my G2 -and others synths. I aim to warm the sound as well as destroy it radically. I would prefer a pedal-like box rather than a rack.

Here are the products I found, with my early thoughs about each :

- Metasonix TM-7 : ultimate, unpredictable, great but expensive.

- Frostwave The Resonator : MS20 filter clone, that's ok (moreover : "order now and get a SpaceBeam controller for free !!")

- JoMoX M-Resonator : double channel, independant or not, sounds great.

- Sherman FilterBank : a classic, a bit expensive and no portable enough for me.

- Z-VEX effects. they're weird but i don't know...

- Effector 13 effects : I let you watcht hose.

- Several distortion pedals, some with tubes : ElectroHarmonix, Maxon, Soldano, Vox, Pro Co,...

- Several little synths with inputs for processiong an external signal : Microcon, DSI Evolver,...



So ! You guys use M-Resonator, Filterbank and TM-7 amongst others, don't you ? Is there any particular reason ? I guess so... What is the particular reason ?

Well, any reaction is welcome...

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elektro80
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PostPosted: Thu Dec 13, 2007 8:05 am    Post subject: Reply with quote  Mark this post and the followings unread

For a general "warming" .. how I hate that term.. Rolling Eyes .. anyways.. any well made preamp DI- line driver will do. Well.. not quite.. but any of the vintage inspired designs with iron ( transformers ) ( and possibly even tubes ) will do.

Bring your G2 to a pro shop and test out the UA Solo 610s .. and try to drive these into a slight overdrive.. subtle does it.

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PostPosted: Thu Dec 13, 2007 8:08 am    Post subject: Reply with quote  Mark this post and the followings unread

You see, adding a little amount of tube drive and transformer "warmth" before you then run the signal into filters and other stuff will often make a big difference.
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PostPosted: Thu Dec 13, 2007 8:10 am    Post subject: Reply with quote  Mark this post and the followings unread

I can only speak for the Sherman Filterbank, since I owned one briefly. I know it's famous for mangling sound, but I actually loved it at moderate settings, where it seemed to sweeten and give character to the sound without overpowering it. I used it as a guitar preamp, which is the stage where most guitarists dogmatically insist on vacuum tubes for warmth. I think a guitarist from Stereolab also uses the Sherman as a guitar preamp. It added some great color at lower settings, and then of course, cranking the input stage could overdrive off the deep end, and adding AM and FM would add thickness and jagged edges, respectively.

But I ultimately sold the Filterbank because it was big, expensive, had no presets, not-so-good midi control, and it took a long time to dial in a sound I liked, and then I was "stuck" with that sound until I felt like cranking 17 knobs to the exact position for another sound I liked. Maybe I am spoiled by the flexibility and control of the digital age. I'm willing to accept 90% of the analog sound for 10% of the analog hassle. For the price, you could almost get a G2 engine! At least here in the U.S. I'm not sure about overseas.

My favorite warmth/distortion effect, among all the real-time choices I've heard, hardware or software, is Rob's Revox77 tape machine patch for the G2. It is a permanent resident on my G2. It would easily be worth several hundred dollars by itself if it could be packaged in a little stomp box with a few knobs, especially if it had a vacuum tube visible on the outside, in its own circuit not connected to anything, but just glowing and getting hot so guitarists could swear by that wonderful tube warmth. Razz

So my advice is to dive in to Rob's Revox patch, if you haven't already. If you are considering a Sherman, set aside plenty of time to learn its ways. And if you decide you don't like it, its resale value is pretty good, so it would only cost a couple hundred USD to scratch that itch.

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Keep in mind that I use the G2 almost exclusively for processing guitar.
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stiiiiiiive



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PostPosted: Thu Dec 13, 2007 9:25 am    Post subject: Reply with quote  Mark this post and the followings unread

Quote:
For a general "warming" .. how I hate that term.. Rolling Eyes .. anyways..


I have already read that in some of your messages héhé. I don't particulary like the "warm" word but I think most of the people here get it. That way I was likely to be understood.
Anyway, the Solo 610 could be a good solution as I don't have any good preamp and it is quite portative. "Tube drive", you said. Hmm. maybe that is the warmer stuff... I'll keep this one in mind although I was looking for something that can also be more radical and cheaper too...


Quote:
I know it's famous for mangling sound, but I actually loved it at moderate settings, where it seemed to sweeten and give character to the sound without overpowering it.


Indeed I'm interested in both two aspects. But you said it : big, expensive and tutti quanti. The Rob's revox patch, on the contrary, is veeeeery cheap of course. I'll try out this one, and consider taking some parching ideas to make my own ready-to-use-processor-patch.

Thanks guys !
Any other reactions ?

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PostPosted: Thu Dec 13, 2007 9:32 am    Post subject: Reply with quote  Mark this post and the followings unread

Groove Tubes the brick is pretty cool too!

Trivia: A Clavia NM into a decent preamp/ DI/linedriver and driven a bit on the hot side.. and then plugged into a PA.. very convincing!

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PostPosted: Thu Dec 13, 2007 10:08 am    Post subject: Reply with quote  Mark this post and the followings unread

As for something completely different, try the Jürgen Haible Krautrock Phaser. It´s a clone of the old Compact A.

party!

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stiiiiiiive



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PostPosted: Thu Dec 13, 2007 10:10 am    Post subject: Reply with quote  Mark this post and the followings unread

Quote:
and then plugged into a PA


Sorry but what does PA stand for ?....

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PostPosted: Thu Dec 13, 2007 10:21 am    Post subject: Reply with quote  Mark this post and the followings unread

Stuff like this:
http://www.pavlovsmusic.com/P.A.Gear.html

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PostPosted: Thu Dec 13, 2007 10:24 am    Post subject: Reply with quote  Mark this post and the followings unread

And this
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PostPosted: Mon Dec 17, 2007 3:29 pm    Post subject: Reply with quote  Mark this post and the followings unread

Stompbox-option: I have used a Hughes & Kettner TubeFactor (not tubeman; there is a distinct difference) with success to warm up eg a soft pad from my G2. However, it is very versatile and can be used for many things from warm to wild. It can do wild distortion, and has a kind of coloring knob that does mid-scoopy sounds when turned past 2 o'clock. I use it for anything: guitar overdrive/distortion, bass warming and overdrive, I run my MS20 through it, my rhodes, pretty much anything. I like it pretty much. H&K claim that the tube that's in there is run at high voltage and therefore has better characteristics than other tube-containing stuff. I don't know if that's accurate, but like the thing anyway.
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PostPosted: Mon Dec 17, 2007 3:59 pm    Post subject: Reply with quote  Mark this post and the followings unread

I have a DSI Evolver...cool stuff. The filter is very nice, but to my ears, it only get's really fun when it's driving hard. But it also has some analog osc., plus wavetable stuff, so it opens a few other doors as well for sound generation.

Also, I have an Alesis NanoComp. Stereo, small, very cheap, but effective, especially for live. It can bring out those subtle harmonics that might get lost in a live situation otherwise.
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PostPosted: Mon Dec 17, 2007 4:15 pm    Post subject: Reply with quote  Mark this post and the followings unread

stiiiiiiive wrote:
Quote:
and then plugged into a PA


Sorry but what does PA stand for ?....


"Public Address"

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PostPosted: Mon Dec 17, 2007 4:17 pm    Post subject: Reply with quote  Mark this post and the followings unread

I've always used an ancient HH 12x2 100w guitar amp for my micromodular. It gives a really grungy sound Cool
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PostPosted: Mon Dec 17, 2007 5:29 pm    Post subject: Reply with quote  Mark this post and the followings unread

jksuperstar wrote:
I have a DSI Evolver...cool stuff. The filter is very nice, but to my ears, it only get's really fun when it's driving hard. But it also has some analog osc., plus wavetable stuff, so it opens a few other doors as well for sound generation.


I'll second that, it's such a usefull little device!
You can do some nice things with the env. follower/ext. in peak, because you can route them to almost anything.
I have a lot of "audio-in" presets where the env. follower controls all kinds of things like osc pitch, ring mod, fm, filter freq, feedback, ... gives nice results if you blend it with the original.
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stiiiiiiive



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PostPosted: Tue Dec 18, 2007 7:11 am    Post subject: Reply with quote  Mark this post and the followings unread

Yeah.

I've been suggested to get the Evolver on another forum too. It may be a nice solution since it is also an independent instrument...

I'll think about that.

Anyway, I'm looking for information about the H&K TubeFactor.

Thanks guys !!

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stiiiiiiive



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PostPosted: Tue Dec 18, 2007 7:13 am    Post subject: Reply with quote  Mark this post and the followings unread

Ow I also thought about getting a guitar amp. But I'm just looking all the time for the lightest live kit ever...
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