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Sequencer Feature Wish List
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MickeyDelp



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PostPosted: Mon Apr 04, 2011 3:57 pm    Post subject: Sequencer Feature Wish List
Subject description: I am designing (yet another) sequencer and am looking for your input
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Hi Everyone! I am designing (yet another) sequencer and am looking for your input. Really, there can never be too many sequencers in the world. I have read other threads wherein the electro-music.community collaboratively designed a circuit and I think it will be a lot of fun.
What features do you consider must-have?
What strange new features have you been looking for, but have not found in an existing sequencer?
I have some ideas of my own of course, and I would love to hear whether you think they are any good.

My thoughts:
    It will be microcontroller controlled which will allow for lots of interesting features with few support chips, but the signal path will be analog.
    It will have an internal clock, but be able to use an external clock as well.
    It will be chain-able so multiple sequencers can run simultaneously or sequentially.
    There will be lots of LEDs because I love blinky lights.

Controls:
    Step Pitch pots
    Step on/off buttons
    Step length (1/2/3/4 beats)
    Internal clock speed pot
    Base pitch pot (steps are up/down from the base)
    Clock divider switch (divide by 1/2/4/8/16/32)
    CV range switch (0 to +9, 0 to +5, -5 to +5, -9 to +9)
    Start/stop button

Modes
    forward (1234567812345678)
    backward (8765432187654321)
    up/down (123456787654321)
    random

Inputs
    Base pitch CV
    Clock
    Start trigger

Outputs
    Pitch CV
    Step Trigger
    Start Sequence Trigger
    Next Step Trigger (for sequential chaining)

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brother303



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PostPosted: Tue Apr 05, 2011 3:48 am    Post subject: Reply with quote  Mark this post and the followings unread

Hi,

here are my suggestions:


- I´d like to see individual gate/trigger-outs per step

- Two or three gate-busses (similar to the Klee) would be cool

- No start-trigger input! I like the solution of Foniks VCPS8 or the Klee. When a clock is present at the clock input,the sequencer starts

- A reset jack to start from step one each time a trigger comes in

- A rotary-switch to dial in the number of steps per sequence (> MFOS 16step)

- Another rotary to select an action,when the step chosen by rotary 1 is reached.(e.g. reset/reverse > MFOS 16step again)

- 1x16/2x8 mode (Klee),but with independent play directions in 2x8 mode,
e.g. steps 1-8 play forward while 9-16 play up+down

- built in quantizer with a number of scales to choose from

- a chord-function (3 or 4 cv-output jacks required,have a look at the Toppobrillo Quantimator!). Each step puts out the root-note and 2 or 3 additional cvs to form a chord. Chord type selectable via rotary-switch



Only some ideas,let`s see what´s possible.

Wink

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MickeyDelp



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PostPosted: Tue Apr 05, 2011 5:35 am    Post subject: Reply with quote  Mark this post and the followings unread

Good ideas, brother303! Keep 'em coming.
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sduck



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PostPosted: Tue Apr 05, 2011 11:11 am    Post subject: Reply with quote  Mark this post and the followings unread

16 steps per row, minimum 3 rows if possible.

Basically I want a milton!
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MickeyDelp



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PostPosted: Tue Apr 05, 2011 1:01 pm    Post subject: Reply with quote  Mark this post and the followings unread

That is a big question: number of steps and number of CV outs per step. The bigger it is, the more expensive it will be - not so much the circuitry, but the pots themselves and the cost of the panel and/or enclosure. My original thought was that if it was chainable, then it could be eight steps, and if you wanted sixteen steps, you could buy/build two of them. Maybe it would be better if there was an engine module that had all the brains, and would control cheaper add-on modules that would give more steps/CVs. What do you think?
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brother303



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PostPosted: Wed Apr 06, 2011 3:44 am    Post subject: Reply with quote  Mark this post and the followings unread

Hi,

MickeyDelp wrote:
My original thought was that if it was chainable, then it could be eight steps, and if you wanted sixteen steps, you could buy/build two of them. Maybe it would be better if there was an engine module that had all the brains, and would control cheaper add-on modules that would give more steps/CVs. What do you think?


Nice idea. A modular modular-sequencer! Very Happy

Starting with the "brain" module and adding expansions for every eight steps sounds really good. So it can be fitted for individual needs very easily,cool!

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emdot_ambient



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PostPosted: Wed Apr 06, 2011 10:00 am    Post subject: Reply with quote  Mark this post and the followings unread

There are some great ideas implemented on the M-185 by Ryk, like its ability to have each step divided into distinct pulses (1-8 pulses per step--or stage, whatever you want to call it), a step/stage mode select (no output on the step, output one pulse, output multiple pulses per the pulses/step switch, hold the gate open the entire step).

These turn an 8 stage sequencer into something far more varied.

Also, portamento on/off per step.

More esoteric/complicated:

Next Step switch, giving each step the ability to direct the sequence to any other step...and if that was voltage controlled....well, Bob's your uncle.

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emdot_ambient



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PostPosted: Wed Apr 06, 2011 10:20 am    Post subject: Reply with quote  Mark this post and the followings unread

Putting this on a separate resply 'cause I don't know what to call it...

I came up with this idea while working on an ARP Axxe Keyboard Memory circuit (which is actually its S&H circuit)...I'm not sure exactly the best way to describe it, but you might call it a CV Programmer function

Imagine a CV input called "Programmer CV In" or something like that.
Next to that you'd have a "Programmer Gate In".

You'd connect a CV and Gate to these from a keyboard or MIDI-CV converter, or a sequencer, or any other CV/Gate combination.

On each step you'd have a Program On/Off switch.

Every time a gate signal is sent to the Programmer Gate In jack, any step that has its Program On/Off switch set to "On" would be fed the CV from the Programmer CV In jack. Each of those steps would have their base voltage changed to the voltage present at the Programmer CV In jack. In this way you'd be able to program multiple steps at one time, live.

Added benefit: since the CV from the programmer input would be replicated at each step, you wouldn't really want or need a quantizer as long as the input voltage is at the pitch you want, no problem. PLUS!! If you feed the programmer input an alternative scale, your sequencer would instantly be playing that alternative scale!

Now, originally I was wondering if an analog S&H would work for this, but you'd need a S&H on each step. And I wasn't thinking of using a CV pot on each step. You might be able to do that, simply summing the 2 voltages, but you'd run the risk of destroying alternative tuning scales.

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emdot_ambient



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PostPosted: Wed Apr 06, 2011 10:21 am    Post subject: Reply with quote  Mark this post and the followings unread

Per step Octave and/or semitone transpose switches...expensive to build, but would make quick sequence alterations fun.

More = More!

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emdot_ambient



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PostPosted: Wed Apr 06, 2011 10:24 am    Post subject: Reply with quote  Mark this post and the followings unread

MickeyDelp wrote:
My original thought was that if it was chainable, then it could be eight steps, and if you wanted sixteen steps, you could buy/build two of them. Maybe it would be better if there was an engine module that had all the brains, and would control cheaper add-on modules that would give more steps/CVs. What do you think?

Oh, yeah! I do like that idea. Especially if the PCBs had behind the panel patching available so you could add on later and link them without using patch cables. Build a 16 step one to begin with...later add on 2 or 4 more rows...no problemo.

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emdot_ambient



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PostPosted: Wed Apr 06, 2011 10:26 am    Post subject: Reply with quote  Mark this post and the followings unread

Actually, expanding on that idea, maybe have brain PCB, a CV/gate PCB, and a trigger PCB. So you could combine normal and trigger sequencing driven from the same brain...or is that kind of a dumb idea?
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PostPosted: Wed Apr 06, 2011 3:06 pm    Post subject: Reply with quote  Mark this post and the followings unread

That's a lot to digest, emdot_ambient! Thanks for the input. I definitely want the ability to have each step last more than one pulse. Behind-the-panel patching of expansion modules is exactly what I had in mind, much cleaner. The ability to program step values from an external CV is great. But then the pitch knob for that step would not be showing the actual value. Have to think on that one.
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Cynosure
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PostPosted: Wed Apr 06, 2011 3:47 pm    Post subject: Reply with quote  Mark this post and the followings unread

I have been gathering some ideas for my next project, which will be a simple cmos step sequencer. I am planning on using a rotary switch with at least 12 positions (or 2 in tandem) instead of pots to control the pitch. I don't know how you guys know what you are playing when you use pots. I think it would be difficult to make changes on the fly and keep everything in key - especially if you are trying to add more instruments into the mix. I plan on having each position in the switch tuned to a specific note.

The chord idea is a really good one!
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PostPosted: Wed Apr 06, 2011 4:56 pm    Post subject: Reply with quote  Mark this post and the followings unread

Quote:
switch with at least 12 positions (or 2 in tandem) instead of pots to control the pitch.

Quote:
Per step Octave and/or semitone transpose switches...expensive to build, but would make quick sequence alterations fun.

I designed a board sometime ago derived from rikhard's idea that may be used for that purpose though it was primarily for VCO's and CV standards
-5 through to +5 octaves on one rotary switch and 0 through to +11 semitones on a second rotary switch. there was very little interest at the time probably due to the board mounted switch centre distances of 35mm and the SMT resistors used, so i only had enough made for my purposes but i still have all the files and it could be resurrected easily.
has seperate outs for octave and semitones so could be used on different stages eg step the octave outs from a master clock signal and use a divided down clock to do the semitones ...just throwing it out there Smile
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brother303



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PostPosted: Wed Apr 06, 2011 5:29 pm    Post subject: Reply with quote  Mark this post and the followings unread

Hi,

emdot_ambient wrote:
There are some great ideas implemented on the M-185 by Ryk, like its ability to have each step divided into distinct pulses (1-8 pulses per step--or stage, whatever you want to call it), a step/stage mode select (no output on the step, output one pulse, output multiple pulses per the pulses/step switch, hold the gate open the entire step).


MickeyDelp wrote:
I definitely want the ability to have each step last more than one pulse.


Love this feature,very cool!


MickeyDelp wrote:
The ability to program step values from an external CV is great.


+1 for that Wink


Cynosure wrote:
The chord idea is a really good one!


Thank you. Since I saw the Quantimator for the first time,I wanted this feature inside a step-sequencer. Detroit-chord-machine-madness,you know? Very Happy

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emdot_ambient



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PostPosted: Wed Apr 06, 2011 10:33 pm    Post subject: Reply with quote  Mark this post and the followings unread

MickeyDelp wrote:
The ability to program step values from an external CV is great. But then the pitch knob for that step would not be showing the actual value. Have to think on that one.

Yeah, my conclusion was that this idea would best be used in a sequencer dedicated to that kind of programming input...i.e. it wouldn't have a CV knob per switch and really no way to visually see what the sequencer's CV pattern was (unless you went nuts and added some kind of LED display per step).

But the whole idea was to make a sequencer that's a performance tool, programmed on the fly: Select a bunch of steps to program, punch in the note, rinse and repeat at will. Then maybe have an octave transpose switch for each step so that even if the base note is the same on a lot of the steps, you could have pitch variation.

Probably not an easy thing to do in combination with more regular sequencer ideas.

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Rykhaard



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PostPosted: Thu Apr 07, 2011 2:15 am    Post subject: Reply with quote  Mark this post and the followings unread

diablojoy wrote:
Quote:
switch with at least 12 positions (or 2 in tandem) instead of pots to control the pitch.

Quote:
Per step Octave and/or semitone transpose switches...expensive to build, but would make quick sequence alterations fun.

I designed a board sometime ago derived from rikhard's idea that may be used for that purpose though it was primarily for VCO's and CV standards
-5 through to +5 octaves on one rotary switch and 0 through to +11 semitones on a second rotary switch. there was very little interest at the time probably due to the board mounted switch centre distances of 35mm and the SMT resistors used, so i only had enough made for my purposes but i still have all the files and it could be resurrected easily.
has seperate outs for octave and semitones so could be used on different stages eg step the octave outs from a master clock signal and use a divided down clock to do the semitones ...just throwing it out there Smile


I'd like to see that one. Smile My current use of it, is in my Moog 960 clone, sequencer plan. I figured out how to do the 'Skip' function. The big difference is, my sequencer will have my 1V/octave 12 position rotary design instead.
I myself have always been bored with sequencers that use a pot for the tuning of the pitch on each step. They're almost impossible to retune accurately, whilst the sequencer is running.
I far prefer rotary switches for semitone selection, on each step.
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MickeyDelp



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PostPosted: Thu Apr 07, 2011 5:52 am    Post subject: Reply with quote  Mark this post and the followings unread

emdot_ambient wrote:
Yeah, my conclusion was that this idea would best be used in a sequencer dedicated to that kind of programming input...i.e. it wouldn't have a CV knob per switch and really no way to visually see what the sequencer's CV pattern was (unless you went nuts and added some kind of LED display per step).
But the whole idea was to make a sequencer that's a performance tool, programmed on the fly: Select a bunch of steps to program, punch in the note, rinse and repeat at will.
Probably not an easy thing to do in combination with more regular sequencer ideas.


That would be a different kind of module - more of a CV record/playback function. An LCD display could be added to show the actual note values. And then you could have the ability to edit and save the sequence and have various playback options. It would give you lots of steps without taking up lots of space. What do people think of that?

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PostPosted: Thu Apr 07, 2011 5:56 am    Post subject: Reply with quote  Mark this post and the followings unread

Rykhaard wrote:
I myself have always been bored with sequencers that use a pot for the tuning of the pitch on each step. They're almost impossible to retune accurately, whilst the sequencer is running.
I far prefer rotary switches for semitone selection, on each step.

I like that idea for pitch. What about other parameters? Many sequencers have multiple CV outputs for each step so you can control the note plus filter cutoff, or whatever else. I would be interested to hear how people who currently use sequencers use the multiple outputs per step.

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jordroid



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PostPosted: Thu Apr 07, 2011 7:58 am    Post subject: Reply with quote  Mark this post and the followings unread

Regarding the semitone switch idea, if each steps CV is generated by a microcontroller analog input reading a voltage divider you could pretty easily use a pot (cheaper, able to program non half step intervals) or a 12 position switch with appropriate resistors tied to each lug (cooler and easier to use, but essentially always "quantized"), if that makes sense. Tom Wiltshire shows this method in the datasheets for his tap LFO, and i've used it for those and the Boogdish quantizer. It might be nice to have a choice of what to use here, IF it easily works with the uC.

A 12 position half step switch and a 3 position octave switch per step would probably be enough for me, if a common 3 position toggle switch could be used. Two rotary switches per step seems too big and expensive for me.

I like the idea a somewhat "modular" approach to CV generation, one could have, for instance a row with switches for 1v/oct stuff, and a row with pots for variable CV, for filter cutoff or non in tune VCO stuff.

I like the idea of 8 steps per, easily set up for series or parallel operation, it sounds like that is pretty much a given at this point. I'm not sure how "pin hungry" all the features are going to end up being, keeping it down to 8 steps seems like a good number for that reason as well.

I like to run two sequencers together, one off a divided clock, and sum the CV from the two together, and then stick a quantizer set to a major scale at the end, so when the slower sequencer "transposes" the line it stays in key, if that makes sense. This would often be necessary even with half step switches. If that is an easy feature to include it might be cool, if not it's not hard to use a separate quantizer at the end. You of course want to be able to turn quantization off at will if it is included.

I dunno, just trowing things out there, sequencers are one of the more "fun" modules, and i'm always exited about a new one.

sounds like a great project Smile

jordan
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MickeyDelp



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PostPosted: Thu Apr 07, 2011 8:38 am    Post subject: Reply with quote  Mark this post and the followings unread

jordroid,
Thanks for your comments. I agree that pots would be better than rotary switches from the perspective of cost and flexibility. You would have the option of non-quantitized or quantitized in any number of scales. So, we would have the uC read the pots (super easy) and output to a DAC instead of switching the output between the pots. It basically takes the pot out of the analog signal chain. I'm not sure how the purists will feel about that, but for my money I prefer a nice clean DAC output. I'd be interested to hear opinions on that.

It brings up another question. If the control voltages are being produced by a uC+DAC, then the range is going to be 0-5V. Is that a wide enough range, or should we have the option to multiply that (via an op amp)? For that matter, is 0-nV acceptable, or should we have the option to shift that up/down?

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PostPosted: Thu Apr 07, 2011 9:27 am    Post subject: Reply with quote  Mark this post and the followings unread

MickeyDelp wrote:
emdot_ambient wrote:
Yeah, my conclusion was that this idea would best be used in a sequencer dedicated to that kind of programming input...i.e. it wouldn't have a CV knob per switch and really no way to visually see what the sequencer's CV pattern was (unless you went nuts and added some kind of LED display per step).
But the whole idea was to make a sequencer that's a performance tool, programmed on the fly: Select a bunch of steps to program, punch in the note, rinse and repeat at will.
Probably not an easy thing to do in combination with more regular sequencer ideas.


That would be a different kind of module - more of a CV record/playback function. An LCD display could be added to show the actual note values. And then you could have the ability to edit and save the sequence and have various playback options. It would give you lots of steps without taking up lots of space. What do people think of that?

It would really be something different, that's for sure, and I think it would be extremely useful especially in a live situation.

It would also solve Rykhaard's issue of not being able to quickly and accurately change note values (and I agree that knobs are less than ideal for that).

The only problem I have with the LCD screen idea is that displaying actual note value wouldn't work if the CV you feed the programmer with is a non-standard tuning scale. However, displaying voltages doesn't mean anything to the average musician, and displaying something like Note +/- Cents doesn't mean a lot in alternative tuning scales...I mean, if you're inputting voltages based on a pentatonic scale like slendro (one of the two Balinesian tuning scales), you might see C# -30 (C# minus 30 cents)...?

Not sure if that's clear.

It would be wonderful for the typical 12-tone equal tempered stuff we do. But I wonder how the LCD readout would work for non-melodic use or alternate tuning.

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PostPosted: Thu Apr 07, 2011 9:32 am    Post subject: Reply with quote  Mark this post and the followings unread

MickeyDelp wrote:
I would be interested to hear how people who currently use sequencers use the multiple outputs per step.

My modular system isn't up and running yet, but I know I'll use sequencers for pitch (not always melodically), filter cut off, VC ADSR modulation, VCA modulation, Pulse Width modulation...basically anywhere a CV input exists is open for exploration, and most of those uses do not benefit (and may be harmed) by limiting the CV output to Octave/Semitone.

My ARP Sequencer has jacks out for both quantized and non-quantized CV, which seems a good solution. The quantized output is limited to (I think) 0-3v. The non-quantized output is probably more on the order of 0-10v.

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PostPosted: Thu Apr 07, 2011 9:41 am    Post subject: Reply with quote  Mark this post and the followings unread

MickeyDelp wrote:
...I'm not sure how the purists will feel about that, but for my money I prefer a nice clean DAC output. I'd be interested to hear opinions on that.

...If the control voltages are being produced by a uC+DAC, then the range is going to be 0-5V. Is that a wide enough range, or should we have the option to multiply that (via an op amp)? For that matter, is 0-nV acceptable, or should we have the option to shift that up/down?

I'm no purist. Ease of build and functionality are what I'm after (cost is my 3rd consideration...I don't mind splurging if functionality is high and ease of build is reasonable).

0-5V is fine for most applications, though for some of the non-pitch work, 10v is a better upper range. Going negative would also be useful at times.

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PostPosted: Thu Apr 07, 2011 9:44 am    Post subject: Reply with quote  Mark this post and the followings unread

jordroid wrote:
I like the idea a somewhat "modular" approach to CV generation, one could have, for instance a row with switches for 1v/oct stuff, and a row with pots for variable CV, for filter cutoff or non in tune VCO stuff.

I do like that. Switched 1v/oct would certainly be very useful in a lot of cases, while continuously variable CV would be very useful at other times.

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