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Genres and the smell of baboons??
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elektro80
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PostPosted: Wed Nov 05, 2003 5:21 am    Post subject: Genres and the smell of baboons?? Reply with quote  Mark this post and the followings unread

I found this one over at musicdish.com

Genre Blues: The Mote Around the Indie Music Mystique
Part 2

By: Polar Levine, popCULTmedia.com
2003-10-31

Aside from the very positive response I've gotten from Part 1 of this series, there has been some, as I'd expected, pointed reminders that we have a huge variety of genres to choose from right now. This is true, as has always been the case. But how accessible is that wealth of diversity?

Let's take a look at that. Leading up to the recent FCC ruling oncross-ownership, the media industry argued that consolidation actually provided the public with more diversity than ever. They ran down a long list of arcane names for the numerous genre niches that receive air time on commercial radio. But studies have shown clearly that the playlists for these different niches overlapped to such a degree that the case made for "diversity" was a joke. As goes radio - so goes other aspects of music marketing.

It is true that if you live in a major coastal city or a few cities in between with a large university nearby you can tune to a mainstream post-bebop jazz, a LITE Pop show, LITE Jazz, Classic Rock, Classic R&B, Urban Contemporary (current R&B), Hip Hop, Country, Americana, Metal, Punk and an occasional Worldbeat show. The problem is that all this formatting has balkanized our music culture into parochial subcultures. Every show offers a couple hours or more of music that conforms to the fairly rigid set of conventions that define the featured genre. Most punk fans know little else, as is true of rap fans, country fans, etc. The profusion of genres ultimately results in a narrowing of exposure to diverse voices. As the variety of niche formats increases, exposure to ideas outside the format decreases because each niche has become an all-encompassing lifestyle cocoon.


READ MORE: http://musicdish.com/mag/?id=8888

Last edited by elektro80 on Thu Nov 06, 2003 1:21 am; edited 1 time in total
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elektro80
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PostPosted: Wed Nov 05, 2003 5:23 am    Post subject: Reply with quote  Mark this post and the followings unread

HEY.. get his first article too:

Genre Blues: The Mote Around the Indie Music Mystique
Part 1

By: Polar Levine, popCULTmedia.com
2003-10-29

The digital revolution brought state-of-the-art music production tools onto every musician's desktop. It allowed musicians to compose, produce and release their own CDs independently of the music industry's corporate show-biz machine. The internet opened up unlimited potential for the distribution of indie music to a vital, but invisible, global audience. This audience hungered for unique new sounds and words to break through the stock conventions that defined the parameters of a cautious, calcified, profit motivated industry. The plumbing for the revolution, chips and broadband internet wiring, was being installed in every dorm room, office cubicle and home in much of the "developed" world and indie music had the whiff of revolution in the grooves.

But the revolution wasn't televised and it didn't add a fourth chord to the boilerplate genre-bound music it was supposed to supercede. Once the smoke from the digital big bang cleared, the indie music scene looked pretty much like the corporate music scene, but with a lower talent quotient.

Go to any indie music website and do a search through the database of thousands upon thousands of artists and you'll notice the same menu of genres that you find anywhere else. The indie bands within each genre follow the same predictable set of conventions as their corporate models.

The most surprising and discouraging development is found in the "Alternative" genre. Now here's a good place to mention that I'm writing this piece as an inquisitive journalist/music fan and also as an indie musician who's banged his head repeatedly on the genre wall. I'll go into my personal experience with the genre wall in a later installment of this series.


MusicDish Network Advertisement

The "Alternative" tag is largely a cruel misnomer. There are those of us who crave music that carves new grooves into our grey matter: discovering a new genre in the making - a strange detour off a too familiar genre or music from a place or time that we've never encountered. But "Alternative," to many people, is a very specific genre of its own - a subdivision of rock that is as formulaic as any other genre. So what's the alternative to "Alternative"? There's plenty - but without an identifying moniker to make it accessible.



THE REST AT: http://musicdish.com/mag/?id=8594
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mosc
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PostPosted: Wed Nov 05, 2003 9:34 am    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
Go to any indie music website and do a search through the database of thousands upon thousands of artists and you'll notice the same menu of genres that you find anywhere else. The indie bands within each genre follow the same predictable set of conventions as their corporate models.

Guess he hasn't been to electro-music.com. I guess we need a genre. Jack Tamul and I were talking about it a few days ago. Here it is: IEM, Intellegent Electronic Music. You read it here first.
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seraph
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PostPosted: Wed Nov 05, 2003 10:01 am    Post subject: Reply with quote  Mark this post and the followings unread

mosc wrote:
Here it is: IEM, Intellegent Electronic Music. You read it here first.

you should copyright it (soon)

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PostPosted: Wed Nov 05, 2003 12:10 pm    Post subject: Reply with quote  Mark this post and the followings unread

seraph wrote:
mosc wrote:
Here it is: IEM, Intellegent Electronic Music. You read it here first.

you should copyright it (soon)


Yes...

All content Copyright 2003 by electro-music.com, all rights reserved.

I just added a copyright notice to the forum pages. Maybe a good idea.
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PostPosted: Thu Nov 06, 2003 7:01 pm    Post subject: Reply with quote  Mark this post and the followings unread

Polar Levine wrote:

Most punk fans know little else, as is true of rap fans, country fans, etc. The profusion of genres ultimately results in a narrowing of exposure to diverse voices. As the variety of niche formats increases, exposure to ideas outside the format decreases because each niche has become an all-encompassing lifestyle cocoon.


Listeners with eclectic tastes are rare. This has been true for decades. Few are those who seek to hear other than what is prescribed to them. So, a lot of the fault lies in the lack of listener demand for diversity.

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PostPosted: Thu Nov 06, 2003 11:55 pm    Post subject: Reply with quote  Mark this post and the followings unread

AgentA wrote:
Few are those who seek to hear other than what is prescribed to them.

I would add: "Few are those who seek to create/compose/play other than what is prescribed to them." (many artists stick to a style when they realize they have found an audience)

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PostPosted: Fri Nov 07, 2003 1:32 am    Post subject: Reply with quote  Mark this post and the followings unread

Good points. Personally I think Levine makes some good points too.

Carlo.. this one is good :
Quote:
would add: "Few are those who seek to create/compose/play other than what is prescribed to them." (many artists stick to a style when they realize they have found an audience)


So true. One could try to imagine what if this dude Beethoven had stayed on the MOR path of his contemporaries. A lot of the great music out there is different. Whicj in a way prove Carlo is right.
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PostPosted: Fri Nov 07, 2003 3:25 am    Post subject: Reply with quote  Mark this post and the followings unread

I do not blame those who stick to a style once they find an audience for it. It's so hard to find a following that I understand this behaviour. I would probably do the same. One could say that something like that is closer to commerce than to art but, as a guy I was playing with, used to say: it's better to play than to work Very Happy
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PostPosted: Fri Nov 07, 2003 4:24 am    Post subject: Reply with quote  Mark this post and the followings unread

Sure.. there is room for both being commercial and .. well.. inventive?

The problem with doing music for a living is that a lot of players end up with doing "me too" stuff which causes certain genres to overflow with basically the same material, or of lesser substance. This is not unkool or bad in itself but does create a havoc in the market for all parties involved. It should be allowed for musicians to just play whatever they like and it is an impossible demand that everyone out there should be insanely original.
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PostPosted: Fri Nov 07, 2003 2:17 pm    Post subject: Reply with quote  Mark this post and the followings unread

seraph wrote:
I do not blame those who stick to a style once they find an audience for it. It's so hard to find a following that I understand this behaviour. I would probably do the same.
I went through this a bit when changing from dance oriented music to an EM influenced style. I don't earn a living at it, so it did not matter much to me. But my mailing list lost about 80% of it's members! Shocked
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PostPosted: Fri Nov 07, 2003 2:30 pm    Post subject: Reply with quote  Mark this post and the followings unread

80%!? You lost that many!?
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PostPosted: Fri Nov 07, 2003 2:57 pm    Post subject: Reply with quote  Mark this post and the followings unread

SayersWeb wrote:
I went through this a bit when changing from dance oriented music to an EM influenced style. I don't earn a living at it, so it did not matter much to me. But my mailing list lost about 80% of it's members! Shocked

EM stands for electronic music? It looks like your "dance" audience felt betrayed by your change

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PostPosted: Sat Nov 08, 2003 7:12 pm    Post subject: Reply with quote  Mark this post and the followings unread

AgentA wrote:
Polar Levine wrote:
Most punk fans know little else, as is true of rap fans, country fans, etc. The profusion of genres ultimately results in a narrowing of exposure to diverse voices. As the variety of niche formats increases, exposure to ideas outside the format decreases because each niche has become an all-encompassing lifestyle cocoon.
Listeners with eclectic tastes are rare. This has been true for decades. Few are those who seek to hear other than what is prescribed to them. So, a lot of the fault lies in the lack of listener demand for diversity.
According to this, I'm way on the edge of the bell curve! I'm in six bands. In no particular order:
1. Classical (wind ensemble/concert band) - The Municipal Band of Allentown
2. Celtic (but not 100% traditional) - Malarky
3. Progressive Rock - Pinnacle
4. Rock/Folk/Country - The Critters
5. Country - Gritz (being renamed to Silverthorne)
6.Electronic - Xeroid Entity
And I'm starting a seventh, though I'm not sure of its direction, yet.
Am I out of my mind or spread too thin?

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PostPosted: Sat Nov 08, 2003 7:21 pm    Post subject: Reply with quote  Mark this post and the followings unread

seraph wrote:
mosc wrote:
Here it is: IEM, Intellegent Electronic Music. You read it here first.
you should copyright it (soon)
I don't think that you can copyright a phrase. But if you do interstate commerce under that label, then you can register it as a trademark the way Synergy® is a Registered Trademark of Larry Fast. I'm not sure what the difference between that and a Trademark (TM) is.
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PostPosted: Sat Nov 08, 2003 7:48 pm    Post subject: Reply with quote  Mark this post and the followings unread

BIll, this is probably slightly something else. You are a musician and you feel the urge to play in different styles.. and you do. Great fun! But this is done on your terms. And this is based on how you understand the genres you want to mess with. When you take a look at article 2 in that series by Levine I think he is mainly going for the labels and marketing etc etc. ?
Thin?... hey.. I have done reggae and whatever.
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PostPosted: Sun Nov 09, 2003 3:59 am    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:

Thin?... hey.. I have done reggae and whatever.

I once played a New Years Eve with me on synthesizers, a drummer and a violinist playing a very eclectic repertoire.
I thought the audience was going to kill us (or at least not paying us) but they were too drunk so they enjoyed it...and payed too Very Happy
unforgettable Shocked

P.S.
the violinist (who was also singing) was so blind that he could barely see the lyrics of the songs that he had written on big pieces of paper using big letters. It was a scary night Twisted Evil

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PostPosted: Sun Nov 09, 2003 9:06 am    Post subject: Reply with quote  Mark this post and the followings unread

Shocked Shocked

It ended well? No broken bones?
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PostPosted: Sun Nov 09, 2003 9:31 am    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
Shocked Shocked

It ended well? No broken bones?

no,no, no one threw empty bottles at us (do you remember that scene of the Blues Brothers?)
we were lucky it was New Year's Eve and no one could care less for the music, they were too busy drinking Mr. Green
that was the last time I played a gig on New Year's Eve (I think it was 1985) Exclamation

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PostPosted: Sun Nov 09, 2003 9:39 am    Post subject: Reply with quote  Mark this post and the followings unread

A pianist and singer are rehearsing "Autumn Leaves" for a concert and the pianist says:
"OK. We will start in G minor and then on the third bar, modulate to B major and go into 5/4. When you get to the bridge, modulate back down to F# minor and alternate a 4/4 bar with a 7/4 bar. On the last A section go into double time and slowly modulate back to G minor."
The singer says:
"Wow, I don't think I can remember all of that."
The pianist says:
"Well, that's what you did last time."
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PostPosted: Sun Nov 09, 2003 9:46 am    Post subject: Reply with quote  Mark this post and the followings unread

Eh... nasty clients?



Quote:
Dear Bandleader thank you for your letter. I really do think you have an
attitude problem and do want a few requests played if you don't mind. What
me and my wife were thinking was:


-Any Keith Jarrett composition from his solo series. Please arrange for
full ensemble and nothing in 4/4 please.


-Mahavishnu Orchestra, Dance of the Maya and please have the guitar player
play John Mcglaughlin's solo from the live performance Nov. 16, 1972 at
Chrysler Arena. My wife and I were at that show and particularly liked his
use of polyrhythmics. If you find it too difficult you can leave out the
feedback. Your choice.


-John Coltrane's duets with Pharaoh Sanders. I understand that their use of
atonality is not everyone's cup of tea, but my guests are usually fond of|
high register tenor saxes.


-We thought a little Stravinsky would be nice. We particularly like the
|Rite of Spring. If you want to use the sheet music it's OK. My husband
likes it about 1/4 note = 93 beats per minute.


-Then for the candle lighting ceremony, please learn Frank Zappa's "The
Great Wazoo". If you want to play it in the originally B flat, that would
be OK. And yes, cousin Jeannie does want to sing the baritone sax solo.
Please don't say no, it would hurt her feelings so.


-Finally we have built our own musical instruments (It's kind of a hobby
with us) and we would appreciate if you would use our instruments. None of
them are based upon a 12 tone scale or on common harmonics, but our 5 year
old son tells us it's not really that hard to transpose once you understand
the physics.


We would be happy to pay each member an extra $25 for any inconvenience.
Thank you and don't be late!


Mr. and Mrs. Snovly
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PostPosted: Sun Nov 09, 2003 8:33 pm    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
Mr. and Mrs. Snovly
Where's the reply?
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PostPosted: Sun Nov 09, 2003 10:54 pm    Post subject: Reply with quote  Mark this post and the followings unread

Hihi! Very Happy
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PostPosted: Fri Nov 14, 2003 10:15 pm    Post subject: Reply with quote  Mark this post and the followings unread

I just come to think of genres in a little different perspective. I tried to explain what Xeroid Entity is about last night, and I happened to call it improvised electronic chamber music. And the response was "Ahhh, chamber music... now I get it". We might be caught in the marketing hype of the major labels and do not see clearly that we can still adopt older terms.
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PostPosted: Sat Nov 15, 2003 2:54 am    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
I happened to call it improvised electronic chamber music. And the response was "Ahhh, chamber music... now I get it."
That's funny! Especially since chamber music hasn't been played in the chamber in at least 80 years. But you're right, of course. Xeroid Entity is a small ensemble. Therefore what we do is absolutely chamber music!
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