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 Forum index » Clavia Nord Modular » Nord Modular G2 Discussion
autechre untilted WARP180CD
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blue hell
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PostPosted: Sat Feb 26, 2005 7:33 pm    Post subject: Reply with quote  Mark this post and the followings unread

What interview do you mean Kas ?

You had a liink in an earlier mail, and a reference to to that one in an inbetween mail describing it as the "new interview". That's the one I read and that one seems to fit the description you now give (apart from going into MAX a bit much it also mentioned simple things to be used ( being of equal importance, they said))

This puzzles me a bit ... should I read the old interview for a more in depth view into simple instruments used by AE ?

Anyway, you were right and not wrong; I thought the description of what equipment was used, and in what way it was, to be interesting. After all I also like to make sounds with rubber bands, rulers, newspapers & stuff (all are things that can efficiently simulate some particular complex equations very well (and, oh miracle, in real time !) for some reason :-)

I might, as one of the five, have gotten your black hole joke ... (it did made me smile after all, didn't it). But ... we could discuss that over a beer or something at some inevitable not too distant future occasion/happenin & decide afterwards who'll have to pay for it.

Jan.
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elektro80
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PostPosted: Sat Feb 26, 2005 7:36 pm    Post subject: Reply with quote  Mark this post and the followings unread

the soundonsound.com interview?
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blue hell
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PostPosted: Sat Feb 26, 2005 8:20 pm    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
the soundonsound.com interview?


That's the one I read & commented on & one of the two that were mentioned , so still puxxled ... did I type pux somewhere, time for !xleep maybe ...its ... ah well, tomorrow I'll see the ligjh probab.

Jan.
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rnp



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PostPosted: Sun Feb 27, 2005 2:25 am    Post subject: Reply with quote  Mark this post and the followings unread

this is the older SOS piece on them (from 97): http://www.soundonsound.com/sos/1997_articles/nov97/autechre.html
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Kassen
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PostPosted: Sun Feb 27, 2005 3:27 am    Post subject: Reply with quote  Mark this post and the followings unread

Jan, Rnp here has found it. The SOS site has only two articles for a autechre search so I thought I could be lazy, Aprently being both lazy and unnclear was pushing my luck.

I guessed that you´d like the older one with the stuff about getting everything from simple gear because your posts on patching often stress being efficient with resources. Being efficient with resources is much less of a problem in modern computers where you can afford to use brute force techniques much more easily.

Either way, these would make some good topics for a few beers, I´m always up for some good discussion on syntyhesis and related topics, I suppose Rob warned you? Those tend to take a while, you see.....

:¬)

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PostPosted: Sun Feb 27, 2005 4:43 am    Post subject: Reply with quote  Mark this post and the followings unread

I've only heard a bit of Autechre (I think one of the tracks was called "Bike"), and I found them very different, but they just didn't have the magic of some other abstract/IDM stuff I've heard. The music is obviously very polished, technically extremely difficult and finetuned and sounds like they've been worked on to within an inch of their life (in a good way), but the music itself just didn't do it for me. I should really listen to some more of their stuff though.

Anyway, I remember seeing a picture of Sean Booth's Nord Micro painted solid black with a thick black nico pen. I think it was on the modular patch archives page that has the modular FAQ. I wonder if they use a G2 now?
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mother misty



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PostPosted: Sun Feb 27, 2005 9:34 am    Post subject: Reply with quote  Mark this post and the followings unread

Yep!
At first I found it a bit dissapointing, to me it sounded more like a step backward than forward, "too normal" for my ears Wink
I expected something more complex, (certainly after draft 7:30 & Gantz Graf) it sounded a bit like "jam sessions" to me...

But after a few days I have to change my opinion Smile This one is different, but really nice! (it certainly grows on you)
I really like the structures of these songs, the way how they evolve, songs like "the threes", which starts pretty repetitive but after a while glitches, collides & breaks up to exciting new rhythms or 'iera", which sounds so incredible organic like it has a life on it's own!

Sometimes listening to ae is like listening to noodles, (this is not "your normal everyday stuff' Smile
You have to listen some time to fully understand it!
(and that's very important when listening to ae! it's like listening to an MP3 noodle for 10 seconds...)
If you listen to ae a couple of seconds i can understand that you won't like it, it will probably sound like a bunch of random noise to you
(i know i felt that way when I bought my first ae album!Smile but this is more than random noise, this noise is actually going somewhere, evolves, morphs & takes you on a trip like only ae can but you have to discover that youself Smile
It's like they have so much control over their sound and can do anything with it they want...

(can't wait to see them live in 2 months, and I have a feeling I will see a G2 on stage Smile

RESPECT!
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cebec



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PostPosted: Sun Feb 27, 2005 11:01 am    Post subject: Reply with quote  Mark this post and the followings unread

I agree. This one, like their last few, needs to grow on you... like a fungus or a nest of vines. It's a lot more rapid and microscopic in some ways than before.
Mother Misty, I couldn't agree with you more. I can't wait to see them, too!
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blue hell
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PostPosted: Sun Feb 27, 2005 11:35 am    Post subject: Reply with quote  Mark this post and the followings unread

rnp wrote:
this is the older SOS piece on them (from 97): http://www.soundonsound.com/sos/1997_articles/nov97/autechre.html


Thanks !

Jan.
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cebec



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PostPosted: Sun Feb 27, 2005 12:53 pm    Post subject: Reply with quote  Mark this post and the followings unread

Oh, I just remembered:
I've heard/read from others that listening to any of Autechre's post-Tri Repetae albums is conducive to coding! So anyone who does a lot of coding might want to see if it helps! Idea
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PostPosted: Mon Feb 28, 2005 1:21 am    Post subject: Reply with quote  Mark this post and the followings unread

Afrokid wrote:
I've only heard a bit of Autechre (I think one of the tracks was called "Bike"), and I found them very different, but they just didn't have the magic of some other abstract/IDM stuff I've heard. The music is obviously very polished, technically extremely difficult and finetuned and sounds like they've been worked on to within an inch of their life (in a good way), but the music itself just didn't do it for me. I should really listen to some more of their stuff though.

Anyway, I remember seeing a picture of Sean Booth's Nord Micro painted solid black with a thick black nico pen. I think it was on the modular patch archives page that has the modular FAQ. I wonder if they use a G2 now?


Well.. Bike is about 10 years old... Smile


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Micro Modular painted black, Sean Booth from Autechre :)
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PostPosted: Wed Mar 02, 2005 4:15 am    Post subject: Reply with quote  Mark this post and the followings unread

i saw autechre live in manchester. it was a humbling experience.

they laid their studio out on the dancefloor and you could walk around them and get a real sense of how they were working.

sure, they didn't invent modular synthesis, but i reckon their output is far more musical than Stockhausen's. and i'm speaking as someone who has worked closely with members of the Stockhausen ensemble.

there's an article somewhere online where they play stocks music to Aphex Twin and vice versa.

Stockhausen dismisses Aphex Twin's music as being "post african" and Aphex Twin dismisses Stockhausen by saying "what's the point? no one will dance to this".

i think they both have a point.
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Kassen
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PostPosted: Wed Mar 02, 2005 4:29 am    Post subject: Reply with quote  Mark this post and the followings unread

Stanley Pain wrote:

Stockhausen dismisses Aphex Twin's music as being "post african" and Aphex Twin dismisses Stockhausen by saying "what's the point? no one will dance to this".

i think they both have a point.


Well, there are a lot of Aphex tracks nobody will dance to either....

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PostPosted: Wed Mar 02, 2005 4:36 am    Post subject: Reply with quote  Mark this post and the followings unread

post african? OK? What does he mean by that? The music is OK for dancing? Is Mozart post african too?
Shocked

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Rob



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PostPosted: Wed Mar 02, 2005 6:30 am    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
post african? OK? What does he mean by that? The music is OK for dancing? Is Mozart post african too?
Shocked


ROFL! Very Happy
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paul e.



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PostPosted: Wed Mar 02, 2005 8:28 am    Post subject: Reply with quote  Mark this post and the followings unread

i wonder if stockhausen ever recorded a piece and couldn't think of a name for it so called it 'untitled'....comparing autechre and stockhausen somehow seems wrong...for the last few albums of theirs, i had trouble spotting the actual music in between the oh-so-clever digi-bits

emperors new clothes anyone ?

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mother misty



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PostPosted: Wed Mar 02, 2005 8:54 am    Post subject: Reply with quote  Mark this post and the followings unread

paul e. wrote:
i wonder if stockhausen ever recorded a piece and couldn't think of a name for it so called it 'untitled'


The album is actually called untiLted, many people seem to make that mistake Smile
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PostPosted: Wed Mar 02, 2005 9:27 am    Post subject: Reply with quote  Mark this post and the followings unread

very clever title from very clever guys..they got me on that one
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PostPosted: Wed Mar 02, 2005 7:17 pm    Post subject: Reply with quote  Mark this post and the followings unread

autechre makes some very neat music, worth some listens at the very least, but two things disagree with me:

1) I have heard them mention in an interview that they practically rewire their studio for every song, affirming their "studio as an instrument" idea.

I am much in the camp of doing as much as possible with as little as possible. To me, what autechre does can be compared to playing every song on a guitar in a different tuning. You might learn a thing or two with every song, but I think the instrument is better utilized and understood when intensely and consistently used with one tuning. This way you can devote your attention to other aspects of the instrument instead of "Where is A# now?". Maybe this comparrison is not quite clear with electronic instruments.

2) A lot of it is in 4, with repetitive bass/snare sounds at the center.

Well, almost everything western is in divisions of 2 and 4. This is not to say that I don't like these divisions. But when the AE guys are spending all this time rewiring their studio, adding tons of technical detail to the sounds, a stagnant, looping drum and snare kind of kills it for me.
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PostPosted: Wed Mar 02, 2005 8:36 pm    Post subject: Reply with quote  Mark this post and the followings unread

Autechre European Tour :: April 05
Thu 14 London. SE1 + Rob Hall, Mark Broom, Baby Ford
8-3am, £13adv Seetickets, Stargreen
Rough Trade CovGdn 0207-240-0105 FLYER
Fri 15 Glasgow. Arts School ¬ FLYER
Sat 16 Manchester. Zoo ¬ tickets:
skam shop
Boomkat / Pelicanneck
Ticketline /0161 832 1111.
Sun 17 Nottingham. Stealth ¬
Mon 18 Paris. Point Ephemere
Tue 19 Antwerp. Petrol *
Wed 20 Eindhoven. Effenaar *
Thu 21 Hamburg. Blumen Und Planeten *
Fri 22 Berlin. Maria * (+ O.S.T. & Errorsmith)
Sat 23 Koln. Sensor *
Sun 24 TBC *
Mon 25 Reims. La Cartonnerie *
Tue 26 Lyon. DV1*
Wed 27 Geneva. L'Usine *
Thu 28 Marseille. La Friche Belle De Mai *
Fri 29 Rome. Brancaleone *
Sat 30 Bologna. Link *

NB: All dates with DJ Rob Hall
¬ = with DJ Mark Broom
* = with SND(live)

May USA
Fri 06 Washington DC Black Cat
Sat 07 Philadelphia PA Trocadero
Sun 08 NYC Webster Hall
Mon 09 Boston Paradise
Tue 10 Montreal Usine C
Wed 11 Toronto Opera House
Fri 13 Chicago Metro
Sat 14 Minneapolis Ascot Room
Tue 17 Vancouver Commodore Ballroom
Wed 18 Seattle Neumos
Thu 19 Portland Berbatis Pan
Fri 20 San Francisco Mezzanine
Sat 21 Los Angeles El Rey
Sun 22 Tempe AZ Freedom
Tue 24 Dallas TX Trees
Wed 25 Austin TX The Parish
Thu 26 New Orleans Twiropa
Fri 27 Atlanta Variety Playhouse
Sat 28 Asheville NC Orange Peel
(all dates with DJ Rob Hall + SND Live)

Confirmed Festivals:
July
01 Roskilde. Denmark
08 MS Stubnitz Festival. Newcastle
14 5 Days Off. Amsterdam

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PostPosted: Wed Mar 02, 2005 11:36 pm    Post subject: Reply with quote  Mark this post and the followings unread

elektro80 wrote:
post african? OK? What does he mean by that? The music is OK for dancing? Is Mozart post african too?
Shocked


he is referring to the influence the African slave trade had on European musical culture. since the devlopment of blues, the European culture hasn't moved very far beyond a snare on beats two and four, a bass drum hit on beat one of the bar and a second bass drum beat on one of the off beats.

the continuous use of back beats and small variations on the backbeat pervades pretty much all types of popular music with the notable exception of modern reggae dance hall. i think this grates on Stockhausen's nerves who probably believes everyone should be a little more experimental and, well, intellectual.
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PostPosted: Thu Mar 03, 2005 4:50 pm    Post subject: Reply with quote  Mark this post and the followings unread

can someone put the patch online?

thanx

grtz

jeroen
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PostPosted: Thu Mar 03, 2005 5:12 pm    Post subject: Reply with quote  Mark this post and the followings unread

Can someone recommend which Autechre album I should get? They sound like they should be interesting but I just auditioned 3 tracks (not much time) from the 1997 release and thought it was crap (not Da crap). If someone could advise it would save me a lot of time, their CD’s are hard to come by down here and we don’t have ITunes.

PS: I’m not so keen on the close mic’ed crisp packet rustling stuff.
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PostPosted: Thu Mar 03, 2005 5:17 pm    Post subject: Reply with quote  Mark this post and the followings unread

Posted Image, might have been reduced in size. Click Image to view fullscreen.
Quote:
Down the middle, it reads:
oh-ooh-teh-kah (my best attempt to write Japanese in a way an English speaker would understand), and then beneath that, to-ra-ee rey-pa-tay (tri repetae).
From this, I can say that the pronunciation ends with an "kah" sound, not the "kur" sound that so many people use.

Shocked
arrow http://www.livejournal.com/users/evan/209795.html

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PostPosted: Thu Mar 03, 2005 6:43 pm    Post subject: Reply with quote  Mark this post and the followings unread

g2ian wrote:
Can someone recommend which Autechre album I should get? They sound like they should be interesting but I just auditioned 3 tracks (not much time) from the 1997 release and thought it was crap (not Da crap). If someone could advise it would save me a lot of time, their CD’s are hard to come by down here and we don’t have ITunes.

PS: I’m not so keen on the close mic’ed crisp packet rustling stuff.


Thier first release "incunabula" is probably what you're after then. I heard a few tracks from it a while ago ("Bike", "444" etc.) and am seeking to re-borrow it from a friend. it's similar to Aphex Twin's "Selected Ambient Works Vol. 1 85-92".

I got my hands on their latest release, and it is very much "close mic'ed crisp packet rustling stuff" (hehe, I like that description). This new album is very fast cut beats and glitchy clicky sounds with some evil/ominous ambient undertones. I can't speak for the other albums as I haven't heard them.

I'm not that much into this glitchy side of IDM, so I suppose my opinion is biased already, but this new album sounds very similar to stuff Aphex Twin has been doing for years now, except this sounds a bit more sterile. I got pretty excited when I saw those Max patches in the SOS article posted earlier, but this doesn't sound much different to stuff that has been done already... I will listen to it more as it is interesting, but unfortunately to me it doesn't sound like anything new. It seems to me like the process might be alot more interesting than the music itself...
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